Showing posts with label Marathi films. Show all posts
Showing posts with label Marathi films. Show all posts
I don't live a luxurious life. My needs are limited - Nana Patekar | Exclusive Interview
The first day of January will be a special day for most us, as we get set to ring in the new year. But, actor Nana Patekar has got multiple reasons to celebrate. While he turns a year older tomorrow, his much awaited, most ambitious Marathi project - Natsamrat - will also hit the screens. While the advance bookings and early reviews are already working in the film's favour, Patekar already looked satisfied. He is extremely happy about the way Natsamrat has turned out, and is satisfied with the response that the trailer had garnered, with even Amitabh Bachchan going gaga over the glimpses of his portrayal of Ganpatrao Belvalkar. While an occasion like this would otherwise see an actor celebrating with great pomp, Nana has decided to keep it low, as always, keeping in mind the crisis faced by farmers in Maharashtra. I caught up with the actor on a quiet weekday afternoon. Dressed in his usual, simple attire - a crisp white sadra lehanga, Nana walked in and after a warm welcome (I always touch his feet for blessings before a conversation), we quickly settled down with a hot cup of tea in our hands, to discuss Natsamrat, NAAM and more. Excerpts from a delightful conversation with the inspirational actor:
You had stated that Natsamrat is one of the most ambitious projects in your career as an actor. What made it so special?
I have no two doubts about the fact that Natsamrat is a great film. Kiran Yadnyopavit has done an incredible job of adapting and working on the original script by V.V Shirwadkar and Mahesh (Manjrekar) is a fantastic director. After this film, even if I don't act or do a film, it won't make any difference to me as an artist. That's how incredible the film has turned out to be, at least for me. As for that commercial aspects, that shall depend on the audience, but I can vouch for the fact that even non - Marathi speaking audience members will understand and love the film. Acting in this film has given great satisfaction to the artist in me. Playing Ganpatrao Belvalkar was an emotionally draining process, but the experience was truly special. He is a retired actor, who continues to live in nostalgia. Even while walking from one place to another, he switches between Hamlet to Prataprao or an Othello. The story remains the same, but we have tweaked things a little bit.
Were there any pre-shoot workshops or rehearsals that the cast went through?
I used to sit with the script all day, understanding the character and his personality. I personally believe that thoroughly reading the script and knowing your character in and out really helps, because you become one with it.
Do you think a role like that of Ganpatrao Belvalkar provides great creative satisfaction to an artist?
Absolutely! It does, to a great extent. Essaying a character like this ensures that you go through a lot of sleepless nights and pain, like I said, it can get drain you out.
You recently announced that you will be shifting focus towards producing films. How did that happen?
There many ways to earn money, but for me, producing films is not one of them. Through production, I can make films based on topics, issues or stories that I believe in. The kind of conviction I may have about a particular story or issue, may not necessarily appeal to a producer, who has to finance the film. Hence, this decision. My son will be heading the production house and the main focus will be on serious films. Also, I have told my son, it is not necessary that I need to star in all the films under our banner (laughs). He is free to cast any actor, and the film's fate will also be his lookout. There won't be any interference from my side in anyway.
There are reports that you will be seen in an international film based in the pre-independence era.
Yes, we are in talks. To be honest, I am not very fluent with the language. For someone who started learning basic english in a village only after standard 5th, and later, spent time with brushes and paints at JJ School of Arts, I am very good with the right use of English words and sentences. Even in college, I felt like the society is making fun of the fact that I don't know English and would often have an inferiority complex. But later in life, I did a Kannada film and realised, that I could pick up the language pretty well. So, I thought to myself, if I can learn Kannada, why can't I do an English film? At least, I fairly know the language and can learn. Let's see how it goes. As you said, it is indeed set during the pre-independence era and is a political film.
When will we get to see you on stage? It's been quite sometime since you did a play.
In all probability, you will see me in Saumya Joshi's next play, where my character is that of a 102-year-old man, whose son is 75. The father wants to beat the world record of the oldest living man (i.e 112 years) and since that requires him to live in a peaceful, happy environment, he doesn't want to see his son's detonating condition. This father plans to leave his son in an old age home, but his son does not want to leave and requests the father to allow him to stay. The former agrees, albeit with a few conditions for his son, which includes weird tasks like writing a love letter for his dead wife, discussing memories of his childhood among others. Within a few weeks, his son's condition starts improving and the audience realises that the whole exercise was the father's plan to enable his son to fight the world and face it on his own. In the end, the father dies, with a dream to see his son beating the world record of the oldest living man. It's a beautiful script, and I am planning to approach Mohan Agashe to play my son's role. Hopefully, it should pan out well.
Your commendable work for the NAAM foundation is being talked about by everyone.
You know, a few days back, somebody asked me, "Aap kis vajese kisaano ko yeh paisa de rahe hain?" The thing is, like most of us, I have been saving some amount of money since years. I didn't know what to do with the collected amount. Some people might spend that kind of money on clothes, cars or jewellery. But for me, instead of using 1 crore for buying a car, bringing a smile on a farmer's face mattered more. I don't live a luxurious lifestyle. I lead a simple life, my needs are very limited. If you have money which you won't use, it makes sense to offer it to someone in need. Also, Makarand (Anaspure) is doing a brilliant job. He is well connected with all the NGOs and families in several rural areas and villages. He is a great human being. My first priority was to ensure that the money reaches the families of farmers who have committed suicide. Our global climate has gone for a toss, and one cannot predict rainfall or extreme cold / heat anymore. It is difficult for farmers to harvest crops, which usually die due to the climatic conditions, and with heavy debts on their head, they commit suicide. Can you imagine the plight of those young widows? They are hardly in their early 20s, with little children in their arms, and are going through a lot of pain to make two ends meet. Also, the way our society looks at a widow is not very positive. There are evil minded people who are always looking for way to use or hurt these young girls. All this could lead to a lot of trouble in the future for their families. I am emotionally attached to these people. I don't want to roam around in a Mercedes, at a time when our country continues to lose one farmer after another. Aisi luxury ka kya fayda?
During our last interview, you had mentioned that you will be directing the third instalment of Ab Tak Chhappan. Is that project still on?
I want to work on the third instalment on my own. I am very serious about the fact that the story, direction and other important aspects need to be monitored by me. Otherwise, I won't do the film. I am not comfortable with their constant interference. Right now, I am focusing on another project, which will be helmed by me. A little girl will be seen as the lead protagonist and you will also see me in an important role. I am currently looking for suitable locations in Kathmandu and the Himalayas for our shoot. There is also a biopic on Baba Amte, which I will produce and direct.
Have you got a chance to watch any new film?
Honestly, I don't watch too many films. I am passionate about reading, and I can keep reading books for hours. Also, I love visiting villages and meeting people. Mujhe logon ko padhne ka shauk hain. Reading their face, understanding their pain and getting to know more about their lifestyle. I don't connect with them as an actor, but as a human being. As for films, I catch them later on television, whenever I get the time.
We never saw you work with Amitabh Bachchan, despite the much appreciated equation in Kohram.
Kya pata? Kisine cast hi nahi kiya (smiles). But, he is a good friend and we got along very well. I still remember how once on the sets, I complimented him about his look and said, "Wah! Beehtareen shirt pehan ke aaye ho." After wrapping up the shoot for that day, I went back to my vanity, only to see his shirt hanging inside my vanity van. I was later informed that he wore my shirt and went back home. I still have that shirt with me. Then one day, he was distributing sweets and I casually asked, "What happened?" He exclaimed with joy, stating that his daughter had given birth to a child, and he is now a 'Nana'. "Itne saal lag gaye? Mujhe dekh, main janam se Nana hoon," was my instant response (laughs).
Is there any actor of this generation whose work left you feeling impressed?
Not really. No actor from the current crop has left an impression or can inspire. I look upto great actors like Balraj Sahni, Motilal sahab, Yakub sahab, Nutanji. These days, actors are only focusing on running the 100 / 200 / 300 crore race. But, I had recently seen the film Bhaag Milkha Bhaag and loved the efforts put in by the cast.
Who has been your biggest inspiration in life?
My parents, especially my mother. Even at the age of 95, she lives by the 'never give up' attitude. Fourteen years back, she was diagnosed with cancer and was told that she won't survive. Even after that, she has gone through several operations for various problems. A few months back, she broke her hand, which resulted in a compound fracture. Despite the pain and medication, after four days, I saw her walking with the help of a walker. Her strength, will power is incredible and she is a great inspiration. Also, I look up to Baba Amte.
We always see you working or running around to help people. Do you ever get the time to take a break or enjoy a holiday?
Whenever I take a break, I don't look out for exotic destinations. I find solace in my farm. Spending time with animals is a different experience and I find it very relaxing. Their silence speaks volumes. I like spending time in a peaceful environment and there is nothing better than being surrounded by nature.
You will be turning a year older on the 1st of January. What's the secret behind your fit body, mind and soul?
I am 65 now, but I always ensure that I work out for at least 2 hours everyday. It is very important for an individual to look after their body. I am not someone who is fussy about food and I eat everything. I don't go out partying or spending hours at events that don't appeal to me. Also, I don't smoke, so that helps.
Love,
The Dancebee
5 Reasons We Loved Katyar Kaljat Ghusli | Film Review
Music has no boundaries, be it religion or nation. Katyar Kaljat Ghusli puts this message across in a wonderful way. The film, based on a very popular 1960's musical by the same name and written by Purushottam Darvhekar, hit the screens last week. While the main plot of the film revolves around the rise and a fall of an artist due to ego, it also hints that art is immortal and cannot be controlled or ruled by anyone. Every artist has the freedom to express himself, and Katyar... conveys this message, thus making it an important film of our times! After earning accolades from the audience, the film has now been nominated for the prestigious UNESCO's Fellini award, and we wish the team all the luck for their journey ahead. We saw the film last week (wish we could also witness the original play live, as well) and have got 5 reasons that make Katyar Kaljat Ghusli a must watch for one and all.
☻ What do we say about the extremely talented veteran actor, Sachin? As Khan Saaheb, he delivers an award worthy performance! He perfects the roller coaster ride of emotions that Khan Saaheb goes through, rather effortlessly. And, it's a treat to watch him mouth those Urdu lines and get into the skin of his character with ease. Don't think any other actor could have done justice to this important character, as brilliantly as Sachin did. Hats off!
☻ Personally, I have always been appreciative of Subodh Bhave's work (his portrayal of Balgandharva being my one of my most favourites till date). His dedication in presenting the perfect film adaptation of Katyar... is no different. Bhave has done perfect justice to the two roles, that of an actor and director of this film. With a flawless treatment, Katyar... looks nothing like Bhave's directorial debut. In fact, it almost makes him look like a seasoned director. Also, it's a delight to watch him act. There are moments in the film (especially the jugalbandi) where you end up believing that it is Bhave and not a singer, who is crooning behind the mic. Truly, an actor class apart.
☻ Great to see one of the most soulful singers, Shankar Mahadevan, make his acting debut with a subtle yet impressive performance. As Panditji, Mahadevan emotes beautifully. While he puts up a perfect act, he does an equally great job (or perhaps) of singing some really fine songs. Sur Niragas Ho being a favourite, which sounds heavenly enough for the gods to come down and bless the singer.
☻ The ensemble cast, mainly comprising of Amruta Khanvilkar, Pushkar Shotri, Mrunmayee, Sakshi Tanwar among others also do a good job. The casting of this film was perfect. Brownie points to Subodh Bhave for being firm on his choices and extracting the best of each actor's potential for their respective characters. From the technical team, a special word for designer Nachiket Barve's research on the bygone era, as his outfits create magic on the big screen. The sets are enough to transport an audience member back to the golden era of music. The screenplay, dialogues and editing were all bang on. Despite 2 hour+ length of the film, not a single audience member was seen getting up from their seats or checking their mobile phones.
☻ Apart from the cast, another hero of this film is the music. The album has 17 tracks, composed by Pt. Jitendra Abhisheki and Shankar - Ehsaan - Loy. Since the film is a musical, songs play a crucial and each of them do perfect justice to the setting and flow of the film. Rahul Deshpande as the voice of Khan Saheb is splendid (incidentally, he also essayed the role of Khan Saheb in a newer version of the play) and creates magic with his phenomenal voice. Mahadevan sings his own tracks. Bhave's Sadashiv is voiced by multiple singers, ranging from Arijit Singh, Divya Kumar to Rahul Deshpande. You may end up falling in love with the music all the more, especially after watching the film. Our favourites? Tough to choose, but Dil ki Tapish and Ghei Chhand are absolutely divine.
Final Verdict: Very few films have the power to leave you speechless! Katyar Kaljat Ghusli will do that to you and more. If you are looking for a visual definition of a cinematic treat, this is it. The film creates a strong impact with its impressive cast, performances, delightful music and an incredible presentation. 100-200 crore club films may come and go, but films like Katyar Kaljat Ghusli stay in your heart forever! Do yourself a favour & watch it.
Have you watched Katyar Kaljat Ghusli? If yes, tweet your feedback to us at @priyaadivarekar on Twitter!
Mumbai Pune Mumbai 2 | Film Review
The much anticipated sequel to one of 2010's most successful Marathi films, Mumbai Pune Mumbai 2 opened to a great response (packed houses during the opening weekend) at several single screen and multiplex cinemas and a good number of shows. While the first film, Mumbai Pune Mumbai, solely focused on building the relationship of lead actors, Swwapnil Joshi and Mukta Barve (and the day long story that followed their chance meeting), the sequel further delves into the journey that follows - engagement, marriage, doubts and confusions. The film also introduces new characters, mainly comprising of Joshi and Barve's (who play Gautam and Gauri) respective families. With a great cast, good songs and a popular lead pair, Mumbai Pune Mumbai 2 has everything going for it. But what's so special in it for you to ditch the other festive big ticket Hindi release and watch this film? We give you 5 reasons!
☻ Swwapnil Joshi as the Punekari Gautam is charming and adds many more dimensions to his portrayal of the character. Joshi adds a mature and emotional side to his character, but not at the risk of losing the innocence and Punekari style, which we all loved in the first film. His natural portrayal of Gautam makes the character look very relatable and real. Plus, you know that a character's "Prabhav" (charisma) has worked, when certain male audience members leave the theatre saying, "Gautam is so much like me," and female members stated, "Gautam saarkha mulga bhetla pahije."
☻ Mukta Barve as the vulnerable and confused Gauri is perfect. Her performances have always been very genuine, be it the first MPM, Jogva or even the recently released, Double Seat. She is one of the few female actors who keeps everything very real, be it her performance, appearance or body language. As Gauri, Barve expresses her confusion, fears and whirlwind of the head effortlessly.
☻ While the lead pair (Swwapnil and Mukta) are always a delight to watch, we can't take our eyes off the ensemble cast either. Veteran Actors Prashant Damle, Savita Prabhune, Asawari Joshi among others deliver honest and incredible performances, making their respective families look just like a simple and real Mumbai or Pune family. The director has played it safe by not introducing too many characters, and that helps, as the focus is solely on the two main families.
☻ Direction Satish Rajwade's simple yet impressive direction makes sure that the flow of the film is smooth. There are no loopholes whatsoever. Both the casting and cinematography of MPM2 is top notch. Editing, BG score and Music is decent. Dialogues, just like the first film, are like a cherry on the cake. There is a great mix of emotional, humorous and romantic dialogues, that stay with you even after the film ends. Although the story was good, the screenplay could have been better.
☻ In close to 150 minutes, Mumbai Pune Mumbai 2 teaches you a lot about various relationships (not just that of a to-be husband and wife). If the simple and impactful moments from the first film left a big smile on your face, the sequel will do the same. It's a breezy family entertainer, that blends several emotions perfectly and presents a picture, that is relatable for almost everyone.
Cons: While the entire film was smooth and flawless, we wish the brand tie-ups were a little less. Some of them were almost on the verge of disrupting the flow of the film.
Final Verdict: This sequel definitely has a lot of Prabhav! Go, watch it with your family and have fun. The perfect family entertainer.
Have you seen Mumbai Pune Mumbai 2? Tweet us your feedback at @priyaadivarekar on Twitter!
The 16th Mumbai Film Festival | MAMI 2014
While we were busy with the routine hop-skip and jumping between one fashion week to another, we just didn't how realize that it's Mid - October. Well, for film buffs in the city, October means just one thing - Mumbai Film Festival. Yes, its that time of the year again when cinema aficionados are offered a delightful bouquet of world cinema, ranging from Russian, French, Japanese to Indian regional language films and more. Our rendezvous with World Cinema started on Day 1 at Cinemax Versova this year, but boy, did the election delay create a frenzy at the registration desk or what! Nevertheless, the going was good and we thankfully reached Screen 2 to witness the legendary Akira Kurosawa's magic unfold on screen, just in time.
No one can shoot a film with great aesthetics, harsh locations and flawless casting the way Kurosawa did. After all, his films were known to have expensive production requirements. Having seen some of his work including Throne of Blood, Rashomon, High and Low, Yojimbo among others (and being a self confessed fan), I was excited to watch his 1975 masterpiece, Dersu Uzala. A simple film based on the 1923 memoir (by the same name) penned by Vladimir Arsenyve, it explores the life of a Goldi hunter named Dersu Uzala, his knowledge of the wild, relationship with Captain Arseniev and more. The basic plot shows how those living in the wild were content with their lifestyle, until civilization took over and changed their life forever.
But what stayed with me were the beautiful moments brought to life on screen by Kurosawa and his team of actors. Maxim Munzuk as Uzala is simply delightful! His relationship with Arseniev, essayed beautifully by Yuri Gantman, might just make you shed a tear or bring a warm smile on your face. When Uzala realizes that he cannot hit the perfect aim anymore, he is devastated, and tries to hit the aim at his own glove, before realizing that something is indeed amiss. Kurosawa blends in an individual's struggle with old age with perfection. It also shows that merely assuming that a wild or village folk is an illiterate ain't fair. They may not go to a traditional school, but they memorize, grasp and learn from everything that they encounter in their daily life. Uzala does that too, and that's how his journey with Arseniev begins. Kurosawa indeed made my afternoon with this magical offering!
Moving from one maverick to another (and from Screen 2 to Screen 3), Kurosawa's Soviet and Japanese co-production venture was followed by a French documentary (albeit uniquely presented) titled Mr Leos CaraX. This melange of interviews, clips from his popular films like Boy Meets Girl, Les Amants du Pont-Neuf among others and anecdotes made for an interesting watch. It may not be an in-depth, insightful offering, but definitely proved to be a perfect window for those, who have never experienced his work in the past. Carax is not your usual film-maker, mind you! He is known for films with dream-like imagery, physical humour and dark romance.
Just as the closing credits of Mr. X rolled out, I got ready for another marvellous cinematic experience. This time, in my mother tongue - Marathi. I stood in a never-ending queue, to watch a Marathi film with film buffs (it was a full house) who were just as excited as I was. Maybe it was the popularity of Marathi cinema that drew them here, or perhaps the fact that this film had won the Golden Bear at the Berlinale earlier this year. There was something enchanting about the stills that we had all seen. And just when the film opened, we all witnessed a spectacular visual treat. Well, I shall discuss the film in detail in a separate post.
The film festival continued to keep me entertained with some spectacular films. Right from The Umbrellas of Cherbourg to Court, Siddhant to Chauranga, Fever to Barf, it was like traveling through different countries with the help of an eclectic mix of films made for the global audience. Was I impressed? Oh boy, I sure am. Every year, the Mumbai Film Festival mesmerizes me with the bouquet of films presented by them and this year was no different. Each film has stayed with me for various reasons and has taught me a lot more about the way cinema works.
And now, I am sure all the fellow film buffs have begun the countdown to the 17th edition and are missing the daily walk between Cinemax and PVR ECX (with the schedule in their hand) already.
Love,
The Dancebee
Film Review | Killa (The Fort)
Some films are just made to entertain you. Others, filled with nail biting moments, keep you on the edge of the seat. But rarely does one come across a cinematic treat, that leaves you spell bound, making you get out of the seat, just to give a standing ovation to the entire cast and crew of the film. One such marvel that I recently came across was Killa (The Fort), a simple film with a stunning visual experience. There are times when words fall short to praise such a masterpiece, especially when it is made in your own backyard (and mother tongue). And as the end credits of the film rolled out during the ongoing Mumbai Film Festival 2014, I faced a similar situation.
Killa (The Fort) explores the protagonist's pain, sense of belonging and twisted relationships with an incredible ease. The young boy Chinmay moves into Guhagar with his mother, who has a transferable job. She knows the risks involved and understands the pain that her son goes through, every time he has to adjust in a new city or village, but being the sole bread earner of the house, she can't help it. Chinmay discovers friendship at his new school, and just as he starts mingling with his new found buddies, a race leads them to a fort, where nostalgia, fear and emptiness clasps Chinmay's mind. What unfolds is a wonderful tale that will move you, and shall stay with you even after you step out of the theater, for a long, long time.
Each technical aspect of this film, be it the background score, editing, screenplay, dialogues or the king of all (and the biggest crowd puller) - cinematography, is simply top notch. Being someone whose ancestral roots belong to the unnoticed Heaven-on-earth, Konkan, I was mesmerized by the way first time Director and Dop Avinash Arun has captured the essence of the region. Be it the moss covered Vijaydurga fort during the monsoon season, the roads covered with palm trees on both sides, little ponds where kids simply can't do without taking a swim or the unforgettable, golden sand beaches which can even give some of the popular Goan beaches a run for their money; Arun has chosen the right locations and captured them beautifully on the lens. I am yet to see any film which has done perfect justice to the aesthetics of Konkan, the way Killa has.
Among the performers, both Amruta Subhash (mother) and Archit were flawless. In not a single moment in the film have they displayed any over-the-top emotions. Amruta and Archit portrayed their roles with real dedication and stepped into the shoes of their respective characters earnestly. This was clearly evident in their performances. One could feel the mother's dilemma, as juggling work responsibilities with troubles at home is no cakewalk. On the other side, we could also sympathize with Chinmay, as he is forever longing for love from friends and family, but fails to understand his own mother's predicament. The other 'gang' members of Chinmay's school were also good. But it was Parth Bhalerao as Bandya who won everyone's heart with his antics. His swag, the 'I have arrived' attitude and ease with which he delivers every dialogue is just extraordinary.That tiny package is truly a dhamaka in this film.
It is not everyday that an Indian film wins the Crystal Bear at the Berlinale. It is also not everyday that the public demand forces the organizers of the Mumbai Film Festival 2014 to arrange for a third show of this film. But above all this, it is not everyday that a magical spectacle like Killa is made in your own country. A special message to Avinash and his entire team - Such brilliant work makes every Maharashtrian proud! I feel proud and happy of the fact that the Marathi film industry is brimming with such exceptional talent. Thank you for this little gem called Killa.
Looking forward to more from you, Avinash!
So folks, please make sure that you step out and watch this film, as soon as it hits the theaters.
And just as it happened with Haider, rating Killa and giving it stars won't be fair. Such films are just a class apart.
Love,
The Dancebee
Top 10 Marathi Films - Part 2
As promised, here's the second part of my post: Top 10 Marathi films you must watch.
Once again, the post only has a few films (as of July 6 2012).
With endless Marathi films making a mark, guess a third part should be on it's way.
Golmaal (Marathi)
Starring Bharat Jadhav, Jitendra Joshi, Sunil Tawde
Once again, the post only has a few films (as of July 6 2012).
With endless Marathi films making a mark, guess a third part should be on it's way.
Golmaal (Marathi)
Starring Bharat Jadhav, Jitendra Joshi, Sunil Tawde
Directed by - P.R.Raorane
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| Photo credit: newmarathi.com |
This 2006 film didn't create a stir at the Box-office, but I can watch this film a hundred times and never feel bored. The dialogues were simply hilarious. Bharat Jadhav as the con-businessman did a brilliant job. This movie was almost like a Marathi version of the Akshay Kumar - Shahid Kapoor starrer Deewane huye pagaal, but the humor in this film is unbeatable. Sunil Tawde has outdone himself. The situations in this film will make you laugh like crazy. Dialogues by Sachin Darekar are the soul of this film. I mean where would you get to hear stuff like "Aamhi Kohlapur la centrally Air-condition karnaar aahot." Music by Avdhoot gupte was good. If you are down and out or stressed, then make sure you grab a copy of this film and watch it!
Shikshanachya Aaicha Gho
Starring Bharat Jadhav, Saksham Kulkarni
Starring Bharat Jadhav, Saksham Kulkarni
Directed by - Mahesh Manjrekar
This 2010 film is a must watch for all those parents who believe that only good grades can assure a successful life for their child. Shrinivas Rane (Saksham Kulkarni) is very good at cricket, but never manages to score well in his exams. His father Madhukar Rane (gives me a whack or two everyday for not completing his homework or for not scoring well in exams. The father-son relationship deteriorates and one day, Madhukar does something so serious to Shree that their life changes within a second. This film is about Madhukar's struggle, who wants every parent to know that beating their kids and shouting at them everyday is of no use. He wants them to know that letting their child excel in what he/she likes is extremely important. Alas! Madhukar learns this very late. Performance wise, Both Bharat Jadhav and Saksham Kulkarni have done a brilliant job. The emotional and funny scenes are very well tackled. The supporting cast is also good. Mahesh Manjrekar made a serious attempt to reach out to all those parents who have been torturing their children for no reason. And the attempt was successful.
Harishchandrachi Factory
Starring Nandu Madhav, Vibhavari Deshpande, Vaibhav Mangale
Starring Nandu Madhav, Vibhavari Deshpande, Vaibhav Mangale
Directed by - Paresh Mokashi
How can I not add this film to my list? After all, This movie talks about the Beginnings of Cinema and That too, In a brilliant way! "Father of Cinema" in India, Dadasaheb Phalke accidentally stumbled across a tent theatre that was screening a silent motion picture. Thats when the idea of film making stuck him. Along with his hardworking family, He ventured into an area that was unknown to contemporary India. This movie traces the journey of Dadasaheb Phalke & The making of the 1st Indian feature film "Raja Harishchandra". Nandu Madhav has essayed the role of Dadasaheb Phalke brilliantly. The kids are super cute & Vibhavri as Phalke's wife is charming. The direction (By Paresh Mokashi) is bang on. Its a flawless film. Not to forget, Nitin chandrakant Desai's beautiful art direction adds more charm to the film. A must watch for all Cinema lovers & those who are studying the History of Cinema.
Vihir
Starring Girish Kulkarni, Amruta Subhash, Mandar, Dr. Mohan Agashe
Starring Girish Kulkarni, Amruta Subhash, Mandar, Dr. Mohan Agashe
Directed by Umesh Kulkarni
This movie can be described as a "Cinematic Masterstroke."Movies like Vihir and Shwaas added a new dimension to the Marathi film industry. Its a story of two adolescent boys, Sameer and Nachiket (cousins who are best friends) standing on the cross roads of life. They need to choose between the life that leads to a petty worldly small existence or the life of free existence that would let them spread their wings and soar high in open skies.The boys play a game of hide and seek in a rather unusual way. Where one cousin hides in death. And the other is looking for him in the life around him. Samir's search leads him towards the experience of oneness where he can unite with Nachiket again. The movie is not just a source of entertainment, its an experience. The story and screenplay (Girish Kulkarni, Sati Bhave) is so well written. I think this movie is a must for all those folks out there who love watching films that make them feel blessed. It is a delight for every film lover!
Mi Shivajiraje Bhosale Boltoy
Starring Sachin Khedekar, Mahesh Manjrekar
Starring Sachin Khedekar, Mahesh Manjrekar
Directed by - Santosh Manjrekar
This one is a winner in every sense! It has all that a typical movie buff would want, Action, Masala, Emotions, Comedy. It took Maharashtra by storm. For more than a year, The tagline "Garv aahe mala Maharashtriya aslaycha" was a huge hit. This movie walked away with all the awards in the Marathi films category in 2009. Mi Shivaji Raje Bhosale Boltoy is about a simple man, Dinkar Bhosale (Sachin Khedekar) who is frustrated with the way Maharashtrians are treated everywhere. Even at home, his daughter wants to do away with the "Bhosale" surname, his son is annoyed with him as he does want to give in to corruption just to get admission in a reputed college, his wife does not like the way he saves money. His frustration brings Chhatrapati Shivaji Maharaj to life, who does not like the fact that he has given up so easily. That's when the real drama starts & Mr.Bhosale stands up against all the illegal activities in Mumbai & reaches out to all the Maharashtrians. The cast was just bang on. Khedekar's performance created a great impact. It made us wake up & think about the on-goings in our state (Hope someday everyone wakes up & works towards helping our city get out of real trouble). Suchitra Bandekar was a delight to watch. Mahesh Manjrekar as Shivaji Maharaj was good & so was Makarand Anaspure as his Mawla. Dunno how Mahesh Manjrekar managed to come with such a fantastic,original story. The title track "Hey raje" was a hit. The dialogues (Sanjay Pawar, Mahesh Majrekar) added a lot of impact as well. If dramatic films with a touch of History are your thing, then THIS ONE IS A MUST WATCH!
There you go! 10 marathi films that stood out for me. Here's a list of some more brilliant films that also deserve a special mention.
1. Matichya Chuli - Starring Vandana Gupte, Sudhir Joshi, Ankush Chaudhary
Directed by - Sudesh Manjrekar, Atul Kale
Must Watch because - A heart warming,emotional story of a family and their usual problems.
2. De Dhakka - Starring Makarand Anaspure, Siddharth Jadhav, Shivaji Satam
Directed by - Sudesh Manjrekar, Atul Kale
Must watch because - it has a brilliant message. You should never underestimate any individual's talent. The movie has some amazing dialogues & the story is fresh & original.
3. Dombivili Fast - Staring Sandeep Kulkarni, Shilpa Tulaskar
Directed by - Nishikant Kamat
Must watch because - This movie changed the face of marathi films. Part of the 'social' genre. Sandeep Kulkarni's performance was outstanding. Nishikant Kamat later directed the Hindi film Mumbai Meri Jaan.
So what are you waiting for? Grab a DVD/VCD or a Blu Ray of these wonderful movies and Watch them now!
Love,
The Dancebee
Love,
The Dancebee
Balgandharva | Film Review
Some movies make you cry, Some make you laugh, Some ask you to leave your brains at home. But, very few movies leave you speechless! Balgandharva did that to me & my dad. I was glued onto my seat, not moving an inch (And mind you, I was damn hungry).
This is Narayanrao Shripad Rajhans' story - one of the greatest singers and stage actors. He was famous for his roles of female characters in Marathi plays, since women were not allowed to act on stage during his time. He got the name “Balgandharva” from the famous freedom fighter Lokmanya Tilak who patted his back & gave him title while praising him for his performance.
The film begins with Balgandharva (Subodh bhave) performing for a “natak”. He is part of the Kirloskar Sangeet Mandali.The company was run by Mujumdar and Nanasaheb Joglekar. After Joglekar’s death in 1911, there was discontent about Mujumdar’s dictatorial and manipulative style. Bal Gandharva, Gangesh Govind (‘Ganpatrao’) Bodas (kishore kadam) and Govindrao Tembe (avinash narkar) left the company in 1913 to form Gandharva Sangeet Mandali. The lavish sets, sarees, perfumes & other expenses leads their company into debt.Narayanrao Bal Gandharva became the sole owner of the debt ridden company in 1921. The debt was paid off in 7 years’ time, but the company accumulated debt again over next 6–7 years. Enter the legendary V.Shantaram, who offered Bal Gandharva a six film deal with Prabhat Film Company but the partnership was dissolved after just one film (Dharmatma, Classic film) in which Bal Gandharva was portrayed the role of Sant Eknath. Narayanrao revived his drama company in 1937, and soon formed an infamous association with Gohar Karnataki (also known as Gauhar Jan) who joined the company in April 1938. With Narayanrao increasingly ill at ease in female roles owing to his advancing years, the company was looking for an actress to play female roles.
The story of his rise to fame and his relationship with his mother, his wife, his co-actors and other women are all part of his celebrated life. But what adds to this amazing journey are the performances. Each & every actor has added life to their characters. Kishore kadam, Avinash Narkar, Vibhavri Deshpande & the others have done total justice. The cast is perfect. Now coming to the crew, Music by Kaushal Inamdar is just what a movie like this needed. Though marathi film lovers would have liked ajay-atul, Inamdar has done a good job. My personal favs are ”Chinmaya Sakal Hridaya” & “Parvardigar”. DOP by Mahesh Limaye is outstanding… Take a bow! Costumes by Neeta Lulla are beautiful & each saree makes you go “OOooh, I want this”. The use of colour is perfect. Make up artist (Vikram Gaikwad) is a magician, brilliant work! The producer & art director Nitin Chandrakant Desai (remember his brilliants sets in devdas,black) gets all the brownie points… A. For the lavish expenditure & amazing sets B. For getting a good team together.
Director Ravi Jadhav makes a comeback after Natrang with this movie. Natrang was also about a man donning the role of a woman (nachya). Comparisons were obvious, Natrang was a mega-hit & people were expecting an extravagant treat. The movie is a real treat for good cinema lovers and full marks to Ravi Jadhav for his work as the director. He has done a fab job.
Yes, I have reserved the best for the last! I never followed Subodh Bhave's body of work as a film actor, but he made me sit up & notice him in 'Haapus', where he did a fairly good job. However, Bhave has hit it out of the park with Balgandharva. He literally makes you cry, smile and clap for his classic performance. He had the grace, the “ada”, the charm & everything that an actor needs to portray the role of Balgandharva. Be it the scene where he cries looking at himself in the mirror when realizes he is mourning the loss of his only child on stage or the scene where he gets back home & breaks down… Subodh has proved that he is definitely of the finest actors in the Marathi as well as the Indian film industry today. One of my personal fav from now on… Kudos Subodh!
Overall, This movie has definitely made it to my ALL TIME FAV MOVIES list. Dont ask WHY, Go WATCH!!!!! “Balgandharva”… Thumbs up!
Top 10 Marathi Films - Part 1
Regional cinema offers a variety of genres and deals with diverse issues, which sometimes even a mainstream Hindi film cannot. It connects with the local people in a easier way, thanks to the language and dialect. Moreover, for urban citizens like me, it helps us to connect with our cultural, our roots and ahem, learning the language in an entertaining way. Yes! I have learnt a lot about different Maharashtrian dialects, all thanks to Marathi films. I don't really remember the 1st Marathi film that I saw, but I have been regularly catching up with Marathi cinema of late, both old and new, thanks to my parents (their film collection) and channels like Zee Talkies, Star Pravah among others. There are many films like Mi Sindhutai Sapkal, Jhing chik Jhing which still top my 'List of movies to Watch," but here I present to you the Part 1 of Top 10 Marathi movies (in no particular order) which I can watch over and over again. I personally recommend you watch these films even if you don't understand the language (Err... Subtitles will help you anyway).
Please Note : Classics do not feature in this list.
Natrang (2010)
Starring Atul Kulkarni, Sonali Kulkarni,Kishore Kadam
Directed by - Ravi Jadhav
The film is an adaption of Dr.Anand Yadav's book, Natrang (Artist). The film, directed by Ravi Jadhav, is about a farmer whose dream is to become an artist & play the role of a king. It traces the journey of Guna (Atul Kulkarni) who overcomes hurdles to realize his dream. The film is set in Rural Maharashtra during the 1970's. It also deals with the issue of Gender Bias.This film gave me goosebumps! Trust me, No one could have played the role of Guna the way Atul Kulkarni did. He went through a lot of training for this film. Apart from the direction, performances and an amazing storyline, the music also played an important role in helping the film become a huge hit. Ajay-Atul, the National award winning duo, composed some beautiful songs for Natrang. Be it the Lavani number "Mala jau dya na ghari" or the song that traces the journey of an artist "Natrang Ubha", almost every song from this album became a household hit. The film is a must watch for those who love art & for those who love meaningful cinema. This one has it all. A flawless film!
Ashi hi Banwa Banwi
Starring Sachin,Ashok saraf, Siddharth & Laxmikant Berde
Directed by Sachin
This one's a complete laugh-a-riot! One can never sit with a straight face when this film is playing on the television. Brilliant dialogues & an even better screenplay, This comedy directed by Sachin Pilgaonkar, released in 1988. Four boy and their hunt for a rented house, lands the group into a big soup, when the new landlady demands that only couples can stay in her house. With no other option left, Sachin & Laxmikant Berde dress up as women & pose as Ashok saraf & Siddharth's wives. That's when the real roller coaster ride begins! Performances by the entire Cast is outstanding. Dont miss the scene where Laxmikant Berde is shown as a pregnant lady & Is made to sit on a cardboard moon, all decked up. ROFL!!
Jatra
Starring Bharat Jadhav, Kranti Redkar, Vijay Chavan, Siddharth Jadhav
Directed by Kedar Shinde
This one is a must watch for all those who love to laugh till their tummy hurts! I can never forget the long, serpentine queues outside Bharatmata, where people were ready to push each other for a ticket. This went on for around 2 months after the release. People dressed up and arrived at Bharatmata as if they were going for a marriage and actually ended up standing in a never ending queue. Jatra was a Mass-Blockbuster. The song Kombdi Palali can still make even a non-dancer perform, 6 years after its release. In this film, Sidhu & Monya leave their rented house, where they are forced to pay or work as a laborer and land up in Hyalagadh, where the annual Jatra (carnival) is nothing short of a Do or Die game. The fun begins when the duo try to flee and instead of going the right way, land up in Tyalagadh, the "enemy" village. That's when the madness begins. The film has Bharat Jadhav & Vijay Chavan in a double role and both the talented actors have played their parts exceptionally well. The winner again, apart from the actors & the director, is the music! Talented duo Ajay-Atul made Kombdi & Maina (not the birds) a national Hit. Even non-Maharashtrians couldn't stop themselves from shaking. Don't miss MNS chief Raj Thackeray's voice over in the beginning, where he narrates the story of the two enemy villages. Enjoy this film with your family & you will certainly end up rolling on the floor laughing.
Shwaas
Starring Arun Nalawade, Ashwin Chitale, Sandeep Kulkarni
Directed by Sandeep Sawant
This film made the Marathi film industry proud by becoming India's official entry to the Oscars. Need I say more? It also bagged the National Award for Best Film in 2004, 50 years after the Marathi film Shyamchi Aai won the award. Made at a modest budget of 30 lakh rupees, this film made people stand up & notice the incredible potential and talent of the Marathi film industry. Shwaas made it big without any songs, heroes or heroines. The storyline is based on a real story set in Pune. The main protagonist of the film, Parshuram (Ashwin Chitale) is a little kid who is diagnosed with Retinal Cancer. It traces the journey of Parshuram & his grandfather (Arun Nalawade) who cannot come to terms with the fact that his grandson has to go through a surgery and may not be able to see the world ever again. The film earned a lot of accolades and certainly deserved all the attention that it got. Definitely a must watch for one and all.
Balgandharva
Starring: Subodh Bhave, Kishore Kadam, Avinash Narkar, Vibhavri Deshpande
Directed by - Ravi Jadhav
A film that brought one of my favorite, versatile Marathi actors, Subodh Bhave, and director Ravi Jadhav together. Balgandharva tells the story of Narayanrao Shripad Rajhans aka the legendary artist Balgandharva, one of the greatest singers and stage actors of his time. He was famous for his roles as female characters in Marathi plays. He got the name “Balgandharva” from the famous freedom fighter Lokmanya Tilak. The film shows the rise and fall of this legend, his relationship with his mother, his wife, his co-actors and other women. It celebrates his life in the most amazing way. But what adds more charm to this amazing journey are the performances. Each & every actor has added life to their respective characters. Be it Kishore Kadam, Avinash Narkar, Vibhavri Deshpande; everyone has done justice to their roles. The soulful music by Kaushal Inamdar is just what a film like this needed.My personal favorites include "Chinmaya Sakal Hridaya" and "Parvardigar". Cinematography by Mahesh Limaye is outstanding! Costumes by Neeta Lulla are beautiful and I must make a mention of the choice of colors and fabric. Make up artist Vikram Gaikwad is a magician, as he spells magic with his incredible work. The producer & art director Nitin Chandrakant Desai (remember his brilliants sets in Devdas, Black?) gets all the brownie point. Right from the lavish expenditure, amazing sets to getting a good team together, he has done it all.The film is a real treat for cinema lovers and full marks to Ravi Jadhav for his work as the director. Finally, reserved the best for the end. As Balgandharva, Subodh Bhave made me cry, smile, cheer and clap for his wonderful performance. He had the grace, the ada, charm & everything that an actor needs to portray the role of Balgandharva. Subodh has proved that he is definitely one of the finest actors in the Indian Film Industry today. This film has definitely made it to my 'All Time Favorite Films' list. Thumbs up!!
So, that's all in Part 1. The second part will be out very soon!!
Love,
The Dancebee
