Showing posts with label Shah Rukh Khan Interview. Show all posts
Showing posts with label Shah Rukh Khan Interview. Show all posts
The King Speaks | In Conversation with Shah Rukh Khan | Uncut - Part II
Taking off from where we left in the previous part, here's Part II of our candid conversation with superstar Shah Rukh Khan. Excerpts from our chat:
As an artist, how did you deal with the shift in psyche, especially while being in and out of a character that has physical limitations, and a completely different personality?
Like I mentioned, my portions were shot while I standing inside a one and a half feet deep pit. There were also boxes, which would move wherever I went. So personally, I never felt short, except while standing next to Anushka or Katrina (laughs). On a serious note, Anushka's character even has a line - 'Relationship barabari ka hoga', which is even a part of the trailer. Because technically, we are the same height in the film, as she is seated on her digitally controlled chair. I never felt any difference, except for a small fact that it was like walking two steps below.
What about the sets, costumes and props? How did you work around those, considering you could actually see the final look post structural changes?
I'll tell you what was difficult. A lot of times, we would shoot a scene, and after 3-4 months while watching the structure change, we think it looks really good. Sometimes, it would look worse, because when he becomes small, everything feels different. In fact, some scenes even had to be re-shot. If I did something with my own style, it looked wrong on a shorter person. It's a little difficult to describe, but if you notice the romantic track (Mere Naam Tu), his movements are a little child like. Like chest thumps and jumps. He can't do tight moves, so even the choreography had to be a little loose. It was during the look test that I did around 2 and a half years back, that I noticed, something just wasn't right. Even the props were bigger for me. For instance, if it's an iPhone 8 for everyone, then that's X for me. If you read a normal book, mine is a bit bigger. Shirt - trouser fittings had to be kept in mind. We also wanted him to have a slight paunch, which isn't too prominent, but at the same time, he should look attractive. So, those elements had to be kept in mind.
We had to buy a machine called Techno Dolly, and have it sent from overseas. It's actually used for shots in Games of Thrones as well
Tell us a little about the inclusion of aeronautics in the film. Were portions of the film shot in NASA?
Well, there is no mention of NASA as such. We have built our own space research centre. Personalisation was necessary, as NASA only allows one film to use their name per year, and they already had 'First Man'. So, we become the second one. However, we did shoot some scenes there, and we had requested if another name can be used. Especially because we have taken certain cinematic liberties in the film. So, the permissions were necessary.
We are making the biggest and largest number of films in a year. We assume that we are the best film makers in the world
What are your thoughts of the use of VFX in Hindi films. Do you think it needs a better push in the Indian film industry, with the kind of genres we are experimenting with today?
VFX has to be much more prominent in Hindi films, for cinema to have better story telling. We are making the biggest and largest number of films in a year. We assume that we are the best film makers in the world. But, I think the new influx of audience that will come in the future, that is kids who are now 7-8 years old, they will not be very forgiving about the cinematic sound and visual experience. They are used to watching the latest films and songs in full HD on phones or computers. Some beautiful films with a great overall visual experience have released recently, and have been accepted by the audience. It is only a matter of time that the numbers will increase. These children will grow up watching such films, even in small towns, thanks to the growing connectivity we have today. In the future, they won't accept excuses like, "Arey, Hindi film main kuch bhi chalta hai." That excuse is fine for us, and mine would be the last generation, who would see a tacky film and say - But still, this is the first for India (laughs).
Go on....
In fact, you are still younger. I was telling someone, how it was 15 years ago that I first went to a multiplex. But, now I am used to that recliner chair, big screens, and flavoured popcorns. But when I was growing up, cinema halls were very rundown, at least most of them. Now, since I am used to the multiplex experience, if you take me back to the old hall, I might not be comfortable. Even if it's another country, I would be like - Arey, yeh kahan aa gaye. Mujhe picture nahi dekhni. So, kids are already used to that world. And when I speak of VFX, it's not just films like Baahubali. There is so much more to VFX than that. It can be used even for the smallest of films, like Zodiac in Hollywood, which is made over a period of 15-20 days. A lot of VFX is used for simple details - like speed, cars, camera movements, and it can't be pinpointed specifically. So, I feel film makers should come forward and make use of this technology to enhance the overall movie experience.
Film makers should come forward and make use of technology to enhance the overall movie experience
When it comes to the use of technology, you and team Red Chillies VFX have always taken things a notch above. But, technology often comes with its own set of challenges. What were some of the hurdles that you came across during the making of this film, and how did you over come it?
While shooting for the track with Salman (Khan), and there are a few scenes as well, where we could not get the moving shots right. The film became very static, as you had to shoot five times - background, actors, crowd among others. So, the layering became difficult. Eventually, we had to buy a machine called Techno Dolly, and have it sent from USA. It's actually used for shots in Games of Thrones as well. But, buying a machine wasn't enough, and so, we had to get a person who could perfectly manage the equipment. So now, they have their own technique of working and understanding, and we haven't worked on that machine before. Hence, the director had to learn how to work on that machine, which by the way, it quite big. Just the other day, we were shooting for some additional scenes for the last bit of the film, and there was a fire. While the fire could be controlled well in time, as it wasn't that big, but the water used to douse the fire went into the machine. So, the whole thing stopped working. Of course, we could shoot in static, but everyone was obviously worried. Also, it was sad, because we bought this expensive machine, perhaps a first in the country. Luckily for us, after keeping it in a silica tank or something, the machine was up and working within two days. So yes, technology does bring along some hitches. Sometimes, you do make mistakes. Of course, there were some good parts too.
And what about the song with Salman Khan?
So, while shooting with Salman, I had to jump in his arms. We thought he will have to be hooked on something. He was standing at quite a height, and I had to take a jump. Obviously, when I jump, that will have a lot of force. So, we wanted him to be put on to a wire. But, he is so strong, that he didn't move. That solved a lot of problems (smiles). Because if had fallen or moved in a stranger manner, we couldn't have pulled off that shot. Certain shots may start looking a bit weird if not executed properly. Then, in some shots I have to jump into a rickshaw, or even Zeeshan's lap. So, somebody discovered that if a string is put up, I can jump across and reach (laughs). These little things were experimented with. Some look real, some unreal. Certain romantic scenes had to look a certain way. Now, when Katrina bends down to kiss me, she can't touch me too much. That's because my face gets covered and it cannot structured later. So, angles had to be set. Beyond that, we couldn't judge or look at what we have shot. Usually, we are used to seeing our shots on the monitor. It was a lot of hit and trial. That's why, we took a lot of time to shoot this film with complete perfection.
You know, when films bomb at the box office, then it's the best way to call them 'ahead of its time'. That's the best excuse (laughs)
Most of your films have often been ahead of it's times, be it Ra.One or Fan. They often become a cult much later. How do you look back at the way they were received during the release?
You know, when films bomb at the box office, then it's the best way to call them 'ahead of its time'. That's the best excuse (laughs). You know, somebody told me this around 3-4 months back - "What does ahead of its time really mean? Time toh yahi hain. Iske aage kaunsa time hota hain, yeh humko kaise maloom?' (smiles) But, it's good for certain films. Like, Swades was one of them. It didn't work back then, but now, everyone refers to it as a lovely film, in retrospect. So, is it ahead of it's time? Or is it that maybe, elements of that film have become a little more relevant now. Perhaps, we appreciate it a lot more. Also, that time, considering the film had Shah Rukh Khan and marked Ashutosh Gowariker's return after Lagaan, people went with the expectation to watch an exciting, thrilling film like that. But, we gave them something else. Hence, it's possible that they were expecting a commercial film. And then, there are films that were rank bad. If they didn't do well, they didn't. Now, Zero isn't based completely on technology like Ra.One. This has all the elements of Aanand L Rai's storytelling. But, because of the characters involved, it was essential that we do this. Even like shooting for the film in places like New York, Meerut; but we couldn't shoot at actual places. A lot of it had to be created, which can be done. So, it may not be ahead of its time, by the virtue of being a technology film. Hopefully, the story shall resonate with the audience.
We hope you enjoyed our candid conversation with Shah Rukh Khan!
The King Speaks | In Conversation with Shah Rukh Khan | Uncut - Part I
After a year long wait (or perhaps, more), he is back with an all new release. After generating maximum curiosity with teasers, posters and BTS shots all year round, Shah Rukh Khan is ready with the much anticipated Christmas release of 2018 - Zero. What clearly looks like India's very own VFX marvel to watch out for, Zero will have Khan collaborating with film maker Aanand L Rai (known for his romantic-dramas set in the heartland of India), for the very first time. While the actor is known to experiment with his avatar in every film, be it Ra. One, Chak De India or Fan, it would be for the first time that he will seen as a dwarf on the big screen. And no, this ain't your regular fare, where a body double or fake tricks are used. Zero is said to be a state of the art VFX film, and Khan's team at Red Chillies VFX promises to leave no stone unturned to turn it into a memorable experience for the cine goers.
On a breezy December evening, while trying to catch up with the peak hour Mumbai traffic, we were invited for a conversation with Khan at a suburban studio. It was a tough week for the actor, what with back to back events, a big fat Indian wedding, and promotions for the film in Dubai. Dressed looking his dapper best, complete with a grey jacket to beat the breeze, Khan walked out of his swanky vanity van and rushed in to greet us. Despite the tough schedule, he looked happy (and handsome as ever) and welcomed us with a smile. What followed was an uninterrupted, long conversation on all things cinema, life, VFX, and of course - being Bauua Singh for Zero. As he continued to sip on hot coffee from his tumbler, we got ready to shoot our questions! And of course, the actor was all ears, as he sat down for a chat, while flashing those legendary dimples. Here's our much awaited interview, an uncut conversation series, presented in two parts. Presenting Part I of our conversation with Shah Rukh Khan:
What went into the conceptualisation of your character - Bauua Singh? What were the key personality traits kept in mind, before the character was actually given shape?
It's not really experimental, but just a physical difference in a character. As much as growing a moustache, but the technology to create this and the process took very long. Also, the film's basis being that all of us spend most of our time wishing that we could be happier. I wish I had this, or could do that. And, we have so many people around us telling us how we should be. But, we don't realise that each one of us are unique. Nobody is perfect, except I joke - Katrina Kaif (laughs). Jokes apart, we can agree that no individual is perfect, either mentally, emotionally or physically. I think we should accept that fact, so that we don't waste time trying to be someone else, while time passes away. Because I believe that life is too short. You just need to believe in yourself - this is who I am, and this is the best I can be. Look at things, that you otherwise consider as flaws, like your uniqueness. Agar main height main chota hoon, toh woh ek advantage hai. If you are someone who cribs - main lamba nahi hoon, gora nahi hoon, patla nahi hoon, ya mere maa baap vapas nahi aa sakte hain; Just tell yourself - let me enjoy this one life that God has given us. To be able to create that vibe in Zero, we needed some incompleteness in our film. So, we added three - there is a physically challenged person, there is a neurologically challenged person, and then, you have the most beautiful woman, who is emotionally challenged. If we accept our flaws and limitations, we can grow as a human being.
Bauua Singh is clearly portrayed in a natural manner, without the unnecessary dose of emotions or sympathy. Was that intentional and integral as well for the film?
That's precisely why we chose to have Bauua's physicality a certain way. It could have been any of the three characters, but this was integral to the story. In fact, we were worried that this should not become the main stay of the film. Thankfully, from whatever I have seen so far, I feel that you overcome that right after 10-15 minutes. We definitely didn't want his height to be a gimmick. Aanand [director] hasn't shot any sequence where people go 'Arey dekho, chota height wala ghoda chala raha hain.' Even if he is doing that, then it's normal. The idea was to ensure that his character is acceptable. Secondly, when you have characters with special ability, a lot of emotions shift towards sympathy. Hence, we have ensured that the characters don't appear like they are in need of sympathy. It shouldn't be like 'Arey Bechara' or 'Bechari'. Whether it's from their friends, family, those around them or even the audience. We wanted to bring about an equality, and not bank on sympathy. And, I don't think any human being looks for it either. Yes, we look for love, friendship and happiness. But, definitely not sympathy.
Considering this was the first time you are essaying the role of a dwarf, did the character come with its own set of challenges for you as an actor?
No, I think VFX made things very easy for me. So, during the first 7-8 days, the process took us much longer than we thought, and then we realised. We took 200 days to make the film, and that was followed by a lot of work on post production. Beyond that, I don't think so. Zero is a very cosy and emotional film. By solely highlighting that this is a VFX film, we didn't want to lose out on the small joys, relationships and elements that make it different. So, the VFX team told us - "Behave the way you are. We will manage the rest." So, I had to be careful of minute things. Like, I can't walk with a longer slide. If I climb stairs, it has to be a ramp, so that my steps looks smaller. Some touch ups during dance. Otherwise, I was more or else asked to behave normally. While shooting, I used to actually stand in a pit most of the times. So, rest of the cast could see me from a certain angle.
Was there any real person who inspired or helped you understand the nuances required to essay Bauua Singh, especially the movements as a dwarf?
Yes! Ashish, who is an actor from Delhi, helped with everything behind the scenes. The idea was not to use a body double, so we didn't want to duplicate. But, Ashish has worked really hard. He would enact every scene before we did the final shot, so that the character has the right perspective. That was a technical requirement. He was extremely helpful and sweet.
Zero is considered to a complete number, yet incomplete. What's your perspective towards the number like, and how do you co-relate it to the film? Also, do you perceive yourself as a complete artist?
Zero is a perspective. It is nothing, and yet complete. That's the whole film. Sab nazariye ki baat hain. I'll tell you what, I have never felt complete. As an artist, I still feel incomplete, and if I am not, then I would not like to work. Why else would I wake up in the morning and strive to work harder than I did a day before? I am always thinking whether I can bring in something new within the commercial cinema set up that I work in - be it as an actor, producer or whichever capacity it maybe. So, I am extremely restless. I believe that if you think you are complete, then you are boring. I don't look at things in order to complete them. For me, the journey is important. I don't focus on the finish line, but look at it from the perspective of a milestone. I never plan things, nor do I have set ideas - this is how much I should earn, the number of awards I should win, or how many hit films I should have make. It's all very organic, because once you work in the industry as long as I have, specifics become less important. You can't pinpoint and say, "Picture aisi banao, toh aisi chalegi. Friday ko collection hoga," No matter how big an expert you are, eventually, the business is complete dependent upon the story that you are telling. So, I find myself becoming lesser expert about a film, and I think that's one reason why I am enjoying the process of working on the films that I am doing. I am just very happy, and after working in the industry for 25 years, the only reason you should continue working should be for pure happiness of your art.
You have spoken about the amount of efforts that have gone into the making of this film. Is there any amount of nervousness, especially since you are trying something unique yet again?
I think for this film, I am a little more nervous than the usual. We've been working really hard on all the aspects related to the film since so many months now. Through the process, you get so tired, that you really have no feeling left. You just hope that what you have made is liked and accepted by the audience. And, you never know. Sometimes, people end up liking films that you don't think are that great, and then, some don't like what you think is good. I have worked for so many years, but I can't analyse how a film should be. I guess those who spend money on it are the ones who can analyse it best - the audience. So, I just let things be. Ab jaisi hai, vaisi hai. Uska kuch kar nahi sakte (smiles).
Stay tuned for Part II of our candid conversation with Shah Rukh Khan!
Are you excited to watch Zero tomorrow? Share your excitement in the comment below or Join the conversation on
Twitter | Facebook | Snapchat | Instagram | YouTube
Love,
The Dancebee
On a breezy December evening, while trying to catch up with the peak hour Mumbai traffic, we were invited for a conversation with Khan at a suburban studio. It was a tough week for the actor, what with back to back events, a big fat Indian wedding, and promotions for the film in Dubai. Dressed looking his dapper best, complete with a grey jacket to beat the breeze, Khan walked out of his swanky vanity van and rushed in to greet us. Despite the tough schedule, he looked happy (and handsome as ever) and welcomed us with a smile. What followed was an uninterrupted, long conversation on all things cinema, life, VFX, and of course - being Bauua Singh for Zero. As he continued to sip on hot coffee from his tumbler, we got ready to shoot our questions! And of course, the actor was all ears, as he sat down for a chat, while flashing those legendary dimples. Here's our much awaited interview, an uncut conversation series, presented in two parts. Presenting Part I of our conversation with Shah Rukh Khan:
What went into the conceptualisation of your character - Bauua Singh? What were the key personality traits kept in mind, before the character was actually given shape?
It's not really experimental, but just a physical difference in a character. As much as growing a moustache, but the technology to create this and the process took very long. Also, the film's basis being that all of us spend most of our time wishing that we could be happier. I wish I had this, or could do that. And, we have so many people around us telling us how we should be. But, we don't realise that each one of us are unique. Nobody is perfect, except I joke - Katrina Kaif (laughs). Jokes apart, we can agree that no individual is perfect, either mentally, emotionally or physically. I think we should accept that fact, so that we don't waste time trying to be someone else, while time passes away. Because I believe that life is too short. You just need to believe in yourself - this is who I am, and this is the best I can be. Look at things, that you otherwise consider as flaws, like your uniqueness. Agar main height main chota hoon, toh woh ek advantage hai. If you are someone who cribs - main lamba nahi hoon, gora nahi hoon, patla nahi hoon, ya mere maa baap vapas nahi aa sakte hain; Just tell yourself - let me enjoy this one life that God has given us. To be able to create that vibe in Zero, we needed some incompleteness in our film. So, we added three - there is a physically challenged person, there is a neurologically challenged person, and then, you have the most beautiful woman, who is emotionally challenged. If we accept our flaws and limitations, we can grow as a human being.
Bauua Singh is clearly portrayed in a natural manner, without the unnecessary dose of emotions or sympathy. Was that intentional and integral as well for the film?
That's precisely why we chose to have Bauua's physicality a certain way. It could have been any of the three characters, but this was integral to the story. In fact, we were worried that this should not become the main stay of the film. Thankfully, from whatever I have seen so far, I feel that you overcome that right after 10-15 minutes. We definitely didn't want his height to be a gimmick. Aanand [director] hasn't shot any sequence where people go 'Arey dekho, chota height wala ghoda chala raha hain.' Even if he is doing that, then it's normal. The idea was to ensure that his character is acceptable. Secondly, when you have characters with special ability, a lot of emotions shift towards sympathy. Hence, we have ensured that the characters don't appear like they are in need of sympathy. It shouldn't be like 'Arey Bechara' or 'Bechari'. Whether it's from their friends, family, those around them or even the audience. We wanted to bring about an equality, and not bank on sympathy. And, I don't think any human being looks for it either. Yes, we look for love, friendship and happiness. But, definitely not sympathy.
No individual is perfect, either mentally, emotionally or physically. I think we should accept that fact, so that we don't waste time trying to be someone else
Considering this was the first time you are essaying the role of a dwarf, did the character come with its own set of challenges for you as an actor?
No, I think VFX made things very easy for me. So, during the first 7-8 days, the process took us much longer than we thought, and then we realised. We took 200 days to make the film, and that was followed by a lot of work on post production. Beyond that, I don't think so. Zero is a very cosy and emotional film. By solely highlighting that this is a VFX film, we didn't want to lose out on the small joys, relationships and elements that make it different. So, the VFX team told us - "Behave the way you are. We will manage the rest." So, I had to be careful of minute things. Like, I can't walk with a longer slide. If I climb stairs, it has to be a ramp, so that my steps looks smaller. Some touch ups during dance. Otherwise, I was more or else asked to behave normally. While shooting, I used to actually stand in a pit most of the times. So, rest of the cast could see me from a certain angle.
Was there any real person who inspired or helped you understand the nuances required to essay Bauua Singh, especially the movements as a dwarf?
Yes! Ashish, who is an actor from Delhi, helped with everything behind the scenes. The idea was not to use a body double, so we didn't want to duplicate. But, Ashish has worked really hard. He would enact every scene before we did the final shot, so that the character has the right perspective. That was a technical requirement. He was extremely helpful and sweet.
For me, the journey is important. I don't focus on the finish line, but look at it from the perspective of a milestone
Zero is considered to a complete number, yet incomplete. What's your perspective towards the number like, and how do you co-relate it to the film? Also, do you perceive yourself as a complete artist?
Zero is a perspective. It is nothing, and yet complete. That's the whole film. Sab nazariye ki baat hain. I'll tell you what, I have never felt complete. As an artist, I still feel incomplete, and if I am not, then I would not like to work. Why else would I wake up in the morning and strive to work harder than I did a day before? I am always thinking whether I can bring in something new within the commercial cinema set up that I work in - be it as an actor, producer or whichever capacity it maybe. So, I am extremely restless. I believe that if you think you are complete, then you are boring. I don't look at things in order to complete them. For me, the journey is important. I don't focus on the finish line, but look at it from the perspective of a milestone. I never plan things, nor do I have set ideas - this is how much I should earn, the number of awards I should win, or how many hit films I should have make. It's all very organic, because once you work in the industry as long as I have, specifics become less important. You can't pinpoint and say, "Picture aisi banao, toh aisi chalegi. Friday ko collection hoga," No matter how big an expert you are, eventually, the business is complete dependent upon the story that you are telling. So, I find myself becoming lesser expert about a film, and I think that's one reason why I am enjoying the process of working on the films that I am doing. I am just very happy, and after working in the industry for 25 years, the only reason you should continue working should be for pure happiness of your art.
You have spoken about the amount of efforts that have gone into the making of this film. Is there any amount of nervousness, especially since you are trying something unique yet again?
I think for this film, I am a little more nervous than the usual. We've been working really hard on all the aspects related to the film since so many months now. Through the process, you get so tired, that you really have no feeling left. You just hope that what you have made is liked and accepted by the audience. And, you never know. Sometimes, people end up liking films that you don't think are that great, and then, some don't like what you think is good. I have worked for so many years, but I can't analyse how a film should be. I guess those who spend money on it are the ones who can analyse it best - the audience. So, I just let things be. Ab jaisi hai, vaisi hai. Uska kuch kar nahi sakte (smiles).
Stay tuned for Part II of our candid conversation with Shah Rukh Khan!
Are you excited to watch Zero tomorrow? Share your excitement in the comment below or Join the conversation on
Twitter | Facebook | Snapchat | Instagram | YouTube
Love,
The Dancebee
I Believe it is Very Important To Be a Director's Actor | In Conversation with Shah Rukh Khan (Part II)
After a great response to Part I of our candid conversation with King Khan, we are back! Raees is just a day away from release and needless to say, fans of the actor have ensured the advance bookings for the film gets a tremendous response. But, before you get all prepped up to catch Miyan Bhai in action, grab a cuppa and settle down to read our tete-a-tete with the Badshah. As promised, here's Part II of our special interview with Shah Rukh Khan. Excerpts:
What is your state of mind on the sets like? Do you enjoy being on the sets?
I am a very happy go lucky guy. Even if I am tired, I am always very happy on the sets. Most of the people who I work with, are a little wary of me, because many of them have grown up watching me. Like or dislike is besides the point. But, I completely understand that. So, I want the atmosphere on the sets to be very happy. I want everyone to have a good time. I really enjoy myself on the sets. I like to have fun and crack jokes.
What was the on set atmosphere like during Raees?
While working on Raees, I would notice how everyone was somehow very serious. So, I thought because Rahul Dholakia is a very serious director, maybe he has told every actor to focus on their work. You know, because some directors are like that. Farhan (Akhtar) is very serious on the sets. He likes to be quiet. Karan (Johar) is very funny on the sets, while Adi (Aditya Chopra) is very strict. A lot of other directors have been that way, and obviously, it’s their space and I respect that. So, I thought Rahul must one of those directors who is very serious. But, after 15 - 20 days, my cameraman, who has worked with me on a lot of films, told me, “Sir, is there a problem? Are you going through some bad phase. You look like you are in a very bad mood. Is there something wrong with the film?” I said no. Since everybody is serious on the sets, so am I. I thought maybe that’s how Rahul wants it. He said, “No, no. Everybody’s saying Shah Rukh Khan is a very angry person. He is very scary. But, I tell them that no, he is very happy and always loves having fun. Maybe, it is because of the Kajal.” (laughs) So, after that, I called everyone to my room. Since we were shooting for 50 days, Riteish had made this beautiful huge room for me, which had everything including a playstation (smiles). I said, please call everyone and let them know that I am not angry with anyone or anything. But, because of this whole fierce look, complete with Kajal and that voice I used to take out, everyone got very scared. So, I had to actually stay back and party with them, hug everyone, including Zeeshan, Nawaz Bhai, Mahira, and tell them, “Listen guys, I am not like that. You can say anything you want, but I am not so serious.” So, that was very shocking. Nobody knew me, as it was a new set and I was working with all of them for the first time.
I had to get everyone on the set together and say, Listen guys, I am not like that. You can say anything you want, but I am not so serious
How do you prepare yourself for a character, especially before the film takes off?
For me, script leads the way. You have to get into a state of place. First, you have to device the world of the film you are going to be in. Like, if you are in a Bhansali film, you have to become a part of that world. So, your pitch, tone, dialogues, inaction and everything has to match. At least, that’s what I believe in. I will never go into a film and be in my own world, when the film demands that I have to be in a different world. So, Imtiaz Ali’s world is more edgy, relaxed, easy and natural. When you do a Farah Khan film it is over the top, funny. You have to do things in her zone. Similarly, Karan Johar, Adi (Chopra); everybody has a different world. So, you first understand the world of the director. That’s why, I spend about 6 - 8 months with the director. I spend time with them, chat with them in order to understand their ideas. That way, I understand ki unka world aisa hoga. The enactment has to fit into that place.
What is the mental process of approaching either a negative or positive character, before essaying it on screen?
I always tell everyone, if you are playing a really nice person - like a Rahul or Raj, the devta samaan guy, or if you are playing a character who is darinda samaan, like a Don or the one in Baazigar, the common trait is always the passion and obsession. You have to be really obsessive to be very good or extremely bad. Rest of the characters fall in the middle. So, these two character types are the two extremes. To be both a really good and a bad guy is extreme. So, as an actor, when you play a character like Raees, you have to forget everything, especially stuff like - Arey! Log bura toh nahi manenge main yeh karunga toh. What if I beat up someone, say something or behave in a certain manner, log yeh toh nahi kahenge ki yaar, dil nahi hain iska. Similarly, for a good guy, even if a small hair pin falls down from the desk, toh bahut acchai dikhani padhti hain (laughs). You have to be really nice while doing it. So, they are both unreal, because all of us are somewhere in the middle. We are not so bad or not so good. I do a lot of reading. I read a lot of books, and find characters in them. I also see a lot of people, including you and everyone else around. When I see people, I pick on things - like gestures or physicality, and then, very naturally, I bring them into my films. It’s like, you could be a part of my next film and you won’t know it (smiles).
When I see people, I pick on things - like gestures or physicality. Then, very naturally, I bring them into my films
Many believe you are a director's actor. What is your take on this statement?
I am very clear. If I am playing Jehangir Khan in a film, I learn my lines, understand the essence of those lines and then, I am very open to the idea that Gauri (Shinde - the director) will tell me how to do it. Every film maker has a vision and point of view. I have a point of view as well, but I am only the actor here. I don’t need to believe in what you (the film maker) are telling me. I just need to make you believe whatever you tell me to say. That’s what my job is. I meet a lot of actors who turn around and say - ‘Oh! I don’t believe in this.’ Honestly, it doesn't make any difference, because you are an actor. I don’t believe I could be throwing a girl off the terrace like in Baazigar, or I don’t believe I can drink myself to death like in Devdas. I don’t believe I am as good a person that I was in Kabhie Khushi Kabhi Gham. I don’t believe I can be Raees, nor do I want to live in the kind of house that he does. I want to make you (the audience) believe, and that is an actor’s job. I have to believe what my director believes in. Sometimes, I may not agree with their opinion and that is alright. It is just a point of view ya. So, I will do what Gauri wants me to do in Jehangir Khan, Rahul wants me to do in Raees or whatever Karan wants me to do in his film. At least, I will be different that way. Otherwise, I will be just giving my point of view in every film. So, personally, I think it is very important to be a director’s actor. Otherwise, like I said earlier, you will be working in a different world and the director will be making a different world. So, you need to attach it by listening to the director.
Fan Questions
Nahi ya, Nitin (smiles). I didn't really have to learn the language, as the character just required me to say ‘Aavjo’ and some little bits and pieces. Rahul (Dholakia) was clear that the character doesn't speak too much Gujarati, but he understands it. Sometimes, he may say 2-3 lines. But, I wanted to make it look natural. It shouldn't look like I am trying to speak Gujarati, so a few words would just flow naturally in a conversation.
Hi Devotee! That's an interesting handle. Thank you for your love (smiles). See, it's very tough to choose. Don is completely different from my character in Raees. Don was more sexy, suave, with an over exaggerated swag. He was very unreal. I remember telling Farhan how Don was like a James Bond gone rogue. He is a bad James Bond. I work characters in my mind and for me, So, Raees is nowhere close to Don. Raees is very calm, quiet yet powerful. It’s more of a desi character. Also, Don was very mean and selfish, whereas I don’t think Raees is selfish at all.
I think it is very important to be a director’s actor. Otherwise, you will be working in a different world and the director will be making a different world
Red Chillies VFX is one of the best in the business today. In fact, the Paris Images Trade Show also has a special tribute to RCVFX planned this month. What are your thoughts on the journey so far, since it has also completed a decade last year?
I think visual effects is a very interesting space. We started the Red Chillies VFX wing with Harry (Hingorani) and Keitan (Yadav). We were three boys when we started and the first film we worked on was Paheli. We had a very small unit. In fact, we didn’t even have proper machines. Now, it has been more than a decade. So, I am very proud of them. To make a film like Fan, Ra.One or Krrish and what they are doing with Aanand L Rai’s next is a very big leap forward. I am not saying this because it is my company. It is hardly my company. But, it is a difficult business. That's because a lot of people in this country, especially film makers don’t use VFX right. They think it should only be used for superhero films. It should be used to enhance the way a film looks. It looks cleaner and better. Even in a normal love story, one can use visual effects and we will try that in Imtiaz’s next, as that is our company’s film. So, I am very proud of everything that they do, and also about the fact that they are going to Paris.
What are your thoughts on the use of VFX in Indian films? Also, what are your strategies and plans for Red Chillies VFX in the future?
I think there is a huge necessity for bringing in technology and VFX into this country. I won’t say I was disturbed, but it was very strange that some people don’t even realise that Fan is a VFX film. We assume that if we are only flying or shooting, then only VFX should be used. See, those are also wonderful. I am not deriding it. But, I think the recognition, acceptance and belief in visual effects and special effects in the Indian film industry is extremely necessary for us to go international. We (Red Chillies) can do it, Prasad (The Prasad Group) can do it, and even the 4-5 other big companies who are trying it. I would implore all the film makers, directors and writers to think about this. VFX is much cheaper in India than anywhere in the world. We, as a company, and the others as well, are making VFX for some of the best films that you are seeing in the world today. And, it is high time India made them too. You know, all these brilliant films that you see, be it Sin City, X-Men; the VFX was done here. If our Indian film makers have the vision for that, it is possible here and it is much cheaper. So, I think it will be interesting in the next five years, if we can hold on to Red Chillies VFX and take them forward. I am excited to see how things pan out with Aanand L Rai's next.
I think the recognition, acceptance and belief in visual effects and special effects in the Indian film industry is extremely necessary for us to go international.
Love,
The Dancebee
Raees is a Very Realistic and Unique Character | In Conversation with Shah Rukh Khan (Part I)
There is bound to be excitement in the air when the King makes an appearance. And when he walks in for an in-depth chat, we are all ears for his candid, witty and insightful responses. Shah Rukh Khan completes 25 years in the industry this year, and almost everyone who has worked with him over the years will agree that his enthusiasm, passion for cinema and dedication towards a film maker’s vision hasn't changed a bit. Despite a high fever and cold, the actor took time out for a long day of promotions for his upcoming crime drama - Raees, where he plays a kohl eyed baddie. As we wait under the starry sky on a breezy night at a suburban studio, Khan arrives looking his stylish best, complete with a leather jacket and pair of Adidas superstar metal toes. While the actor attended a quick phone call, we couldn't take our eyes off that dimpled smile. After a quick sip of water, Khan settled down for an interesting conversation. Here's Part I of our candid chat with the Badshah of Bollywood.
How would you describe your experience of working on Raees?
It started off as a very small film. Then, I got injured and there was a gap. Maybe, that is a good thing, because we were trying to contain a film which is half realistic and half popular. So, during that space, we got enough time to work on it. Some of the things that we worked on later have only added to the film, in a way helping us towards what we were trying to achieve. It was great fun. Rahul (Dholakia) is from a different school of film making. Also, it was our (Red Chillies Entertainment’s) first association as a production with Excel entertainment. Also, working with Mahira (Khan), Nawaz (Siddiqui), Zeeshan (Ayyub) and everyone else was great.
What was it about the script that stood out for you?
This is not a regular story, where you see a guy who grows up and becomes a don. Then there is a villain, who beats him up and the guy kills him to become a bigger don or goes to jail. Raees has an interesting journey, which is very unique. It traces the journey of my character from a seven year old kid to the time he turns 42 - 45. In fact, all the characters move along in the film together. It’s not a very typical Hindi film, where the boy meets a girl or say, a revenge drama. It’s just the story of a person who is in the midst of a world that is completely bad. He also does bad things, but somewhere along the line, we still wanted to create an aspect that shows some human quality in him. We are not justifying anything or forcing upon anyone what to like to dislike. The audience can make up their mind - whether to like or dislike him. In commercial cinema, we generally don’t do that. It is generally forced upon you ki bas Hero accha hi hain. Usne bahut sacrifices kiye hain. Because of Rahul’s presence, it is a more open ended discussion in the film, which I don’t know will work or not. But, it is more realistic. However, the popularity part of it - songs, fight, drama are all there. So, I feel the mix will be interesting.
Raees is a far cry from the kind of characters you have portrayed in the past. What was it about the character that impressed you the most?
There is a strain in this character, where you own up and take responsibility for your action. Normally, that’s a thing you associate with good people. But, Raees is a bad person in a bad world, who does bad jobs according to us. But, he does stand up for the result of his actions. He is powerful enough to get away from things, and also to reject it. However, he believes that if you have done something, you need to stand up for it. That’s the strength of his character.
Raees has an interesting journey, which is very unique. It traces the journey of my character from a seven year old kid to the time he turns 42 - 45
The dialogues take you back to the Angry young man era. They have become quite a rage. Apart from your style, of course, what do you think attributed to the popularity?
The film is written by journalists. They have done a lot of research and so, most of the dialogues have been picked up from spoken word, on the road. ‘Baniye ka dimaag, miyaan bhai ki daring’ is a dialogue that is often spoken, not something they have invented. Similarly, battery is a word often used for people who were glasses and that’s how, ‘Battery nahi bolne ka' came up. The likability of the dialogues is because they are very spoken and normal. Having said that, many dialogues which are spoken by other actors in the film are also very nicely done. They have got a nice rhythm. Maybe because journalists have written it, they are real or perhaps, the writers are very creative (smiles).
You are sharing screen space with Nawazuddin Siddiqui for the first time. What do you have to say about his work?
Nawaz bhai is one of the finest actors from the last decade we have seen in India. Since both Nawaz and I come from a theatre background, there is some amount of likeness to us. We both know that we have done our studies. But, he is very different as an actor than I am. Both of us were very happy to come together and respect each others space. It’s like, Shah Rukh knows this, Nawaz Bhai knows that. So, let’s try and see if we can include it together in our performances. We are very important in the film together, as our respective characters span through 15 - 20 years. It’s a relationship based on hate, as one is a cop and the other is a bad guy. But hopefully, when the film comes out, you will see that it won’t be like a typical cop-thief situation. That has been possible only because Nawaz is such a well nuanced actor.
Since both Nawaz and I come from a theatre background, there is some amount of likeness to us. We both know that we have done our studies
Was a fresh face always the first choice for the leading lady opposite Raees in the film?
Casting has always been the director's call. I have never participated in the casting of any of my films. But, I think we needed a new face opposite me. Because whenever I do a more realistic character, like Suri in Rab Ne Bana Di Jodi, you need a new girl to make me look more real (laughs). Otherwise, people always expect me to be this cool, urban guy. Same goes for Om Shanti Om, because I was playing a struggler. Farah (Khan) was very keen on casting a new girl, so that she looks like a star. Otherwise, if you take an established actress, then it just looks like - woh heroine aur Shah Rukh Khan hero. For some films, especially when it is reality based, you need a new face. So, one reason was that. I think the second part was that the role demanded someone who is very petite to look at, but is very strong in her convictions. She stands by her boyfriend / husband (as the story progresses). At one point, they were trying to look at the existing female actors, but then, Rahul (Dholakia) was very clear that most of the people who work with Shah Rukh in the film should not have shared screen space with him earlier. So then, it will be possible for the audience to see the character more, than just looking at Shah Rukh Khan. If I do a film with, say Deepika (Padukone) or Kajol, then people will just say - Yeh Shah Rukh or Deepika ki ya Shah Rukh aur Kajol ki picture hain, instead of saying, yeh toh Renu aur Ravi ki picture hain (smiles). We are such strongly presented actors in films. And, that works well for a commercial film. But, since we were trying to be more realistic in Raees, they auditioned some people and zeroed in on Mahira (Khan).
It's interesting how you have worked with several debutants in the past, who have gone on to become popular leading ladies today. Do you think Mahira too will follow suit?
Most of the actresses who have worked with me are extremely talented ladies. They haven't become stars because they debuted with me. Some of them who did not work with me in their debut films also went on to become stars (smiles). Even before working on Raees, Mahira has established herself as an actor. This is not a new world for her. She is wonderful in the film and it was nice to work with her. I think she perfectly fits in the film. And, one can only wish the best for everyone who has worked on the film, including Nawaz, Zeeshan and myself (smiles).
Most of the actresses who have worked with me are extremely talented ladies. They haven't become stars because they debuted with me
Fan Questions
Well, I got injured while shooting for a sequence in Fan, just before wrapping up the film. I was hospitalised and had to undergo a surgery. So, when I started Raees, I was very badly off. In fact, the sequence where I walk out of the smoke, which was a prominent part of the teaser and trailer, is where I was on crutches. But, I had to work on these shots as the set was ready and standing. It was later that we had to postpone the remaining shoot and the film.
Due to my knee injury, learning Garba was extremely difficult, Faizan. Especially all the jumping around. In fact, they wanted me to wear a kediyu for the song, but I would look very funny (laughs). I didn’t realise Garba would be that difficult. We had to use the Dandiya, and do some of those round steps (laughs). With the pathani, it was all the more difficult. But, our choreographers - Sameer and Arsh Tanna, were very good to me.
In Part II of this interview, we chat with the actor further about Raees, the process of preparing for a character, his future projects and a technical aspect of film making that is very close to his heart. Stay Tuned!
Love,
The Dancebee
The Dancebee
