Showing posts with label Film Blogger. Show all posts
Showing posts with label Film Blogger. Show all posts
Anniversary Special
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Dear Diary
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Priya Adivarekar
Steve Jobs
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The #DancebeeAnniversary Special | A Letter From Us, To You
Sometimes, the blessings showered upon us by the ‘almighty’ and an individual’s destiny - all of it works in unison to create special plans for you. I truly believe 'Diary of a Dancebee' was one such plan, that became a part of my life on this very day. This 'plan' gave me the chance to learn and grow as an individual. It gave me the opportunity to interact with millions of people from across the globe, who continue to make my day special with their appreciation, warmth and kindness even today. It gave me a platform to express my thoughts and more importantly, and the chance to fall in love with my work, every minute and every single day. As American author Ray Bradbury once famously wrote - "Love what you do, Do what you love." And ever since I focused on the process of creating content, I fell in love with every aspect!
Our website - Diary of a Dancebee has come a long way, and we are all set to enter a brand new year. From being a simple, personal blog to becoming one of India's most loved entertainment & lifestyle website and ultimately, winning multiple awards for all the hard work. Today, as I look back at all those memories of spending sleepless nights over designing the blog, learning new skills, editing posts and working on fresh concepts (which I do, even today. learning never stops); I feel proud. Proud to give my ideas a chance. Proud to have a strong voice, and of course - Proud to be a girl who dared to dream.
I am taking this opportunity to extend my gratitude to those, who stood by our vision and supported us at every step - the core group, contributors, guest writers, photographers and videographers; all the supremely talented people, who added wings to our ideas and joined hands to create content since 2014 (of course, the journey began unofficially in 2012 - when my humble hobby blogging began). All those faces behind numerous projects, shoots, interviews, and brands - that we have worked with. My friends, who never backed out (despite seeing days when I couldn't meet or spend time with them) and backed me up every single day (you know who you are). My wonderful parents, partner and loved ones - the OG mains, who have seen me struggle and shine, witnessed the roller coaster ride, and became the rock solid strength that I always wanted.

Gratitude to all the brands, agencies, companies and people we have collaborated / worked with. Nothing worth having comes easy, but all of you made it possible with your support. Reserving the best for last! YOU. Yes, all of you are the lifeline of this baby! Over the years, right from the inceptions of our blog to website and witnessing our social media pages grow - all of you have helped make ‘Diary of a Dancebee’ what it is today. Nothing would have been possible without your love and blessings, dear readers and followers! It means a lot to know that there are people who appreciate your work and your posts can help change a life somewhere or bring a smile on someone's face. Thank you for all the letters, tweets and posts, even on days when we faced hurdles. Your love has made us stronger!
Our website - Diary of a Dancebee has come a long way, and we are all set to enter a brand new year. From being a simple, personal blog to becoming one of India's most loved entertainment & lifestyle website and ultimately, winning multiple awards for all the hard work. Today, as I look back at all those memories of spending sleepless nights over designing the blog, learning new skills, editing posts and working on fresh concepts (which I do, even today. learning never stops); I feel proud. Proud to give my ideas a chance. Proud to have a strong voice, and of course - Proud to be a girl who dared to dream.

Gratitude to all the brands, agencies, companies and people we have collaborated / worked with. Nothing worth having comes easy, but all of you made it possible with your support. Reserving the best for last! YOU. Yes, all of you are the lifeline of this baby! Over the years, right from the inceptions of our blog to website and witnessing our social media pages grow - all of you have helped make ‘Diary of a Dancebee’ what it is today. Nothing would have been possible without your love and blessings, dear readers and followers! It means a lot to know that there are people who appreciate your work and your posts can help change a life somewhere or bring a smile on someone's face. Thank you for all the letters, tweets and posts, even on days when we faced hurdles. Your love has made us stronger!
And I quote Steve Jobs -
Your work is going to fill a large part of your life, and the only way to be truly satisfied is to do what you believe is great work. And the only way to do great work is to love what you do
Thank you for believing in us and our work. I fall in love with my job everyday and this wouldn't have been possible without you. Here's to many more amazing stories, learning new things and chasing dreams with Diary of a Dancebee!
Stay tuned and follow us, as we extend our gratitude and celebrate together.
Join the virtual celebration on Twitter | Instagram | Snapchat | Facebook
Stay tuned and follow us, as we extend our gratitude and celebrate together.
Join the virtual celebration on Twitter | Instagram | Snapchat | Facebook
Love,
Priya Adivarekar
Amitabh Bachchan
Amitabh Bachchan Interview
Amitabh Bachchan TE3N
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Going in front of the camera is not an easy task | Amitabh Bachchan - Exclusive Interview
Our interview with actor Amitabh Bachchan was lined up on a rather hot and sunny afternoon. Our venue, a popular suburban hotel, was buzzing with the news of Bachchan's arrival. And once he did, visitors, media persons and tourists could not stop clicking pictures. Amidst all the hullabaloo, Bachchan, with a smile on his face, waved back at every fan and entered the interview area. It was a packed day ahead for the actor, we were told, with back to back interviews for his recently released film, Te3n, which has earned several accolades and tons of appreciation for the legendary actor. But, all the buzz and madness around didn't seem to affect the legend, who battled every question that came his way, mixed with his timeless wit and humour. After exchanging pleasantries and taking the mandatory 'aashirwad' from him, we settled down for a pleasant chat, where Amitabh Bachchan spoke about shooting in Kolkata, being scared of ghosts as a youngster, Saat Hindustani and how he continues to consider himself a struggler. Plus, a few fan questions got answered too. Excerpts from a delightful and heart warming conversation:
What was it about TE3N that attracted you the most?
The people who are making it. I have worked with both Ribhu and Sujoy before. Plus, the opportunity of another job.
You had earlier worked with Ribhu (Dasgupta) on Yudh, which was a television show, and now, you worked together on a film. How different was the experience for the two of you?
Yudh was supposed to be directed by Anurag Kashyap, who had to step out due to a busy schedule. But, he ensured that he will get somebody and Anurag would overlook the project. One of the first things that Anurag told me, when we started working on the show, was to take time to say or do anything, feel what you want to feel and don't be conscious of the cameras around (since there were 2 -3 cameras). Also, sync sound can help you hear everything, right from your own heartbeat to the things around. It also allows you to take time to emote something, which was a benefit. Ribhu continued to do that during the show, and even during Te3n. A lot of it has also got to do with technology. But, making the serial was a lot like shooting for a movie.
You have always praised Nawazuddin Siddiqui for his talent. How was it sharing screen space with him?
He is just such an exceptional talent. I personally feel that a good co-actor can enhance your work. You maybe the best actor in the world, but if your colleague is not good, then it shows. He reflects your goodness.
You got back to shooting in Kolkata for TE3N, just after Piku in 2015. How was the experience?
In fact, we were supposed to shoot the film in Goa. But, the necessary permissions couldn’t be obtained. During discussions to zero in on the right location, I suggested Kolkata and everyone was fine with the idea. Of course, Kolkata is a special place. I have spent 7-8 years in the city, and got my first job as an executive at a firm. There will obviously be some nostalgic value.
Since the film is shot in real locations, was there any point where the crowds in Kolkata got difficult to handle in between a shot?
Not at all! The crowd in Kolkata is passionate, loving and absolutely wonderful. They are naive and would cheer for you every now and then. But, they are also very considerate and despite being there in large numbers, would never cause any trouble during the shoot. If they know that a shot is going on, they would move away and maintain silence. They know the creative side of film-making very well, so we didn’t face any problem.
There were a few locations used in the film that were touted to be haunted. As a kid, did you believe in haunted areas or ghosts, as such?
Of course, when you are young, you do feel scared. If you are sitting out in the lawn area, it turns dark and suddenly someone goes, “Andar jaakar light jalana,” toh haalat kharab ho jaati this (laughs). You just run and try to get the task done as fast as you can. And then you had people narrating scary ghost stories or saying, “Wahan jaana mat, varna woh aa jayega.” It’s all about the atmosphere created around us.
So, do you try some of these tricks with your grand daughter, Aaradhya?
Oh no, not at all. Now you can’t do any of that, because they are well aware about everything. But yes, if you don’t run their favourite cartoon show, they won’t eat.
Taking you back in time. A lot of your fans wanted to know, how was it working on Saat Hindustani with Khwaja Ahmed Abbas?
Khwaja Ahmed Abbas sahab thought like a common man, and had a very socialistic thinking. All his writings were centred around these thoughts, and the IPTA movement. When he wrote Saat Hindustani, he was very conscious about the secular socialist concept of India. He chose seven Indians because each one of them belonged to a different caste, creed and language. This idea was to show that we are one and we are fighting for a common cause - which is our country. His choice of artists were deliberate, as you had one actor from every background, but the roles given were completely opposite to where they came from. So, you had Utpal Dutt, a Bengali playing a Punjabi, and an Amitabh Bachchan, a Hindu playing a Muslim. For the film, we shot in the forests of Goa during monsoon, traveled third class and slept in Government circuit houses without a bed or electricity.
After you have been approached and you understand the requirements for your character, is there any rehearsal or a process that you follow before the shoot?
Nothing specific, as such. But, all of us go through various script reading sessions and discussions, to understand the character. Every project requires a different method. Like during Wazir, we had 8-9 script reading sessions with Vidhu Vinod Chopra. We did the same for Te3n and Pink. I think it helps, because it helps you to get familiar with what you and the others around you are doing. So, when you start shooting, you don’t waste time thinking about what your co-star or someone else is doing.
You have seen the evolution of technology in the film industry over a period of four decades. What do you have to say about it?
Back in time, there was no celluloid, no film, which was the most expensive commodity of that time. We could not afford retakes. But now, with everything digital, you can shoot for hours and keep correcting yourself. So, in that respect, it works. We just finished a film called Pink, where we have used digital cameras. Shoojit used 6 -7 cameras at a time for a sequence, which we shot for 15 - 20 minutes nonstop.
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| Image credit: Daboo Ratnani Photography 2016 |
Twitter Fan Questions
Ans: Yeah! Why not? If there is a suitable opportunity on television like Yudh that comes my way, I will be very happy to take it up. As for Kaun Banega Crorepati, I still have a contract with them. Somehow, it couldn't work out this year. Let's see how things go. Maybe next year.
Ans: Going in front of the camera is not an easy task. It’s tough. You have sleepless nights, you feel nervous and you don’t know what’s going to happen when the camera starts to roll. As an actor, you question yourself and even the director, to check if you are doing okay. You suddenly wake up in the night and feel, ‘Gosh! I should have enacted that scene in some other way.’ These are some of the things that all of us go through. I mean, I don’t know about the rest, but at least I definitely do.
Ans: I am still struggling. But, what keeps you going is work. Looking for work, what work is gonna come tomorrow, whether I will get it or not. Also, thinking about how I can make myself capable enough to not let that work go.
By Priya Adivarekar
Love,
The Dancebee
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Udta Punjab
Udta Punjab Music Review
Getting Trippy With It | Udta Punjab Music Review
Every time I attend a trailer launch, I am bound to judge the music of that film, before I can judge its prospects at the box office. At most events, the signature background score or the main track is continuously played, to ensure that it stays with you several hours after the event. Something similar happened to me during the Udta Punjab trailer launch last month, as I just couldn't take the signature tune out of my head. I kept humming, tapping my feet and later, discussing my pre-release excitement for the film's music on Snapchat. Needless to say, composer Amit Trivedi's work has matched up to all my expectations from the album, that gives you some serious musical 'high'.
The seven track album starts off with Chitta Ve, which is brilliantly sung by Babu Habbi, Shahid Mallya and Bhanu Prtap. This high octane song is enough to make you get up and shake a leg. Hear the lyrics closely, and you are sure to realise that it goes much beyond simply being just another song. Chitta Ve is a harsh reality - that of a drug user's state of mind and how the substance has swamped the state of Punjab, especially the youth. Kudos to lyricist Shellee for a well penned track. Chitta Ve is edgy and highly addictive, making it one of our favourite songs from the album.
The upbeat and easygoing Da da dasse comes next. Again, one can't enough of the signature tune here. Kanika Kapoor's vocals, coupled with Babu Habbi's rapping and Trivedi's perfect composition make this one a well arranged song. The kind of a track that you would love to hear while sitting all alone and pondering over something (maybe?)
The soft and melodious Ikk Kudi comes next, with Shahid Mallya taking over as the solo vocalist. Although the song is well sung, for us, it is the reprise version by Diljit Dosanjh (who also makes his debut in Bollywood with this film) that wins. Dosanjh' version is an excellent rendition; a breezy composition which sounds more soulful and emotional than the original one.
Ikk Kudi is followed by another energetic number. This time, we've got Amit Trivedi crooning Ud-daa Punjab with Vishal Dadlani. This one's got the dhol and tumbi (a traditional North-Indian instrument) dominating the composition, with Dadlani's rap verses that pack a punch. The lyrics by Varun Grover mirror a drug user's state of a mind in a more mordant manner. We love the crazy vibes of Ud-daa Punjab, and so will you.
Mallya is back as a solo vocalist in the melodious and well composed Hass nach le. Fans of Shahid Kapoor might get transported to a song titled "Ik tu hi" (remember the Hans Raj Hans version in Mausam?) with this one, especially in the first 1:30 mins of the track. At least, we did! Mallya effortlessly sings this one, especially the high notes. The dholki and harmonium artists do an excellent job. Perhaps the only number with a touch of romance, this one might just make it to your next Sangeet choreography list.
Finally, we come to the highlight of this album. If Chitta Ve gives you a high, Trivedi's Vadiyaan is all set to take you higher. Sounds straight off an EDM concert, this one. Everything about Vadiyaan is trippy and absolutely incredible, right from Trivedi's fine vocals to the composition and of course, Shellee's fabulous lyrics that explain a drug user's point of view perfectly. Vadiyaan is crazily trippy and we bet you can't stop hearing this one on repeat. Definitely my favourite from the Udta Punjab album!
Verdict: Insanely trippy and highly addictive! I gotta give it - ✮✮✮✮1/2
Have you heard the album? Let us know your thoughts about the Udta Punjab album.
Love,
The Dancebee
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Sonam Kapoor Interview
I like reinventing myself with everything that I do - Sonam Kapoor | Exclusive Interview
It’s a breezy afternoon, and one can’t miss the flurry of activities at actor Anil Kapoor’s suburban office. Amid stylists arranging outfits for the next event and her team working on weekly schedules, we spot actress Sonam Kapoor, calmly seated on a comfortable lounger, giving media bytes. Dressed in a gorgeous Dolly J maxi and a pair of Louboutins, Sonam looked her stylish best as always. “It’s been a long day full of questions and answers,” stated the actress. But she doesn’t rush through the process and settles down for a chat while saying, “Shoot your questions. I am all ears.”
Be it creating the Dubsmash rage on social media and inspiring others to do the ‘thumka’ like her on Prem Ratan Dhan Payo’s title track or portraying characters like the feisty Dolly (Dolly Ki Doli) and elegant Maithili (PRDP), Sonam has had a great 2015. The fact that she experiments with characters explains her fondness towards venturing into untested waters and accepting challenges as a way of learning new things. “I enjoy the process of doing something new with every film. If I don’t do that, I won’t be challenging myself. I can’t do the same kind of characters over and over again. That would just be plain boring, right? On the creative front, that would mean getting into a stagnant zone. I like reinventing myself with everything that I do.”
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| Image Credit: Sanskriti Media and Entertainment |
Sticking to the promise of reinventing herself with every film, Sonam’s next is the intense biopic, Neerja. She will be seen essaying the role of Late Neerja Bhanot - India’s youngest recipient of the Ashoka Chakra (highest peacetime military award for bravery). It was Neerja who sacrificed her life and saved more than 300 passengers on the ill fated Pan Am flight 73, that was hijacked on September 5, 1986. As part of her preparation and research for the character, Sonam trained to become an in-flight attendant and learned everything about the job. “That was the basic preparation required for this role. I also met Neerja’s friends, family members to understand more about her life. Since she was also a model, I saw all her advertisements. In fact, Neerja’s family had a beautiful audio recording of her in-flight announcement rehearsals, which also helped,” stated Sonam. But according to her, the biggest preparation was to become Neerja and understand her personality. Sonam adds, “It was important for me to know what she believed in and what she didn’t. So, I tried to imbibe her likes, dislikes, and morals. Because at the end of the day, she wasn’t in front of me. So, the process for me to know who she was happened through understanding her beliefs, values and principles.”
It was important for me to know what she believed in and what she didn’t. So, I tried to imbibe her likes, dislikes, and morals. Because at the end of the day, she wasn’t in front of me.
The actress believes that playing a courageous character like Neerja has made her stronger. “In fact, when we were shooting in the plane, at the end of every day, I would just go, ‘Thank god, I am out of the plane.’ By the end of the schedule, it was tough for me to believe that I get to leave this plane, but Neerja couldn’t,” said Sonam, adding that the journey has left a deep, positive impact on her mind. So much, that after working on Neerja, her perspective towards in-flight attendants has changed a lot. She adds, “I didn’t realise that 70 per cent of an in-flight attendant’s job is to ensure the safety of their passengers, while 30 per cent is service. People’s usual perception of them being glorified waiters / waitresses is just ridiculous and wrong. The kind of hard work that goes into this, and how duty bound they are, is just amazing. So now, when a flight attendant tells me to wear my seat belt, I do that immediately (smiles). Whether it is putting the window pane up or switching off my phone, I follow all the instructions politely. I have always been that way, because that’s how I have been brought up.”
But, she admits there were a few instances where she had forgotten to wear the seat belt or switch off her phone. “But now, there is no room for such things. I know that the flight attendants are responsible for my safety and I respect that! And, no matter how many pictures they want to take with me, I will never say no,” assures Sonam with a smile, as she gets ready to change into a gorgeous emerald green anarkali for her next meeting and signs off.
Love,
The Dancebee
This interview (a shorter version) was earlier published in the February issue of Air India's inflight magazine - Shubh Yatra.
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Acting is a constant process of trial and error - Shahid Kapoor | Exclusive Interview
There is a sense of excitement in the air, every time I am informed that an interview with Shahid Kapoor has been confirmed. The set up is always different, the conversation is fun and inspiring, but personally, the biggest takeaway are his philosophical one liners that stay with you and motivates you to be different. At a time when most actors create a bubble around them and only believe in showing off a candy coloured world, which is far from reality, Shahid believes in keeping it real and has a practical approach towards everything. Of course, you can expect that to come from someone as talented as Shahid, because in his remarkable journey of 12 years, we have seen him grow and change with every film. Just like a chameleon, Shahid adapts to new characters, settings and the world created by his director, with ease, like a true pro. He did that in Haider, where he completely surrendered the actor in him, to the vision of Vishal Bharadwaj and emerged as the dark Haider Meer. And now, he is all set to woo us with his sharp, suave and fun portrayal of Jagjinder Joginder in Shaandaar, which hits the screens next week.
We meet on a super hectic weekend, in between a long day of photo shoots and media interactions, and that too at a place that he calls his second home - the gym. "I work out here," he said, with a smile on his face. The glimmer in his eye, as he explained why he loves working out and why we should join him for a cardio couldn't go unnoticed (it was the perfect set up to meet a fitness idol and enthusiast like him). The venue couldn't have been better and it was sweet to see Shahid keeping an eye on the fitness machines, as we walked towards the interview room. Dressed in simple yet stylish casuals (and a very quirky pair of printed slip-on loafers), Shahid settled down for a chat with us, but not without his favourite cuppa. What really impressed us was that despite having a flight to catch within a few hours, being the professional that he is, not once does Shahid fasten or cut short the interview time. He was all ears for our questions and we, in turn, took the opportunity to make this an interview to remember! Excerpts from a candid conversation:
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| Image Source: GQ India 2015 |
From the dark world of Haider Meer to the quirky duniya of Jagjinder Joginder, how did you manage the transition as an actor?
My job as an actor is to adapt, shift to different worlds and sensibilities. If I achieve that, it will help me become versatile. So, I try to do that in every film, where I come from one world and step into a different one immediately. Sometimes it translates, but there are sometimes when it doesn't. In Haider, I was really fortunate that everything was translated well. I think in Shaandaar, the fact that there is a major contrast between the look, character, genre and almost every important aspect helped us create a world which is very different from the one in Haider. And as an actor, I have always enjoyed such challenging transitions. Personally, I don't like transitions which demand me to go from one similar genre to another. It just gets too boring and I feel that I am getting too repetitive. Shaandaar was a welcome change, which I am very happy about. Also, I was moving out from the edgy world of Vishal Bharadwaj, to a completely different wacky one created by Vikas (Bahl), and both of them are fantastic film-makers. It's exciting to come out from a dark film and get into a more fun space, which is closer to what I have done in the past. Shaandaar is a quirky love story, and I guess the last film of a similar genre that I did was Jab We Met (2007). It's rare to do such films, because there is really not much left to do or say in this genre, unless the film-maker has a new point of view.
So, what was it about Shaandaar that really got you hooked on and how did you come on board?
I don't think I have still been signed by Vikas (laughs). But yes, I did meet Vikas when Queen was being shot. As for working with him, we all know that he is a national award winning director and his work, be it Chillar Party or Queen, has always been appreciated. So, no one can question his credentials. Also, I am not the kind of a person who will go the typical way while signing a film. I go by my vibe with an individual and the gut feeling about a subject. After watching Queen, which I saw 6 months before it released and that too, without the background score or other post-production edits. So, it was pretty much the first edit of the film. After watching the film, he told me that there is a new subject in his mind and later, he just said that there is a random one line which he would like to work on and that was the idea for this film. And, I genuinely liked it. But, Vikas believed that there shouldn't be any distraction at this point and said, "If I write it now and you say no after 3 months, asking me to write something new, then I will end up wasting six months of my life." But, I was very sure about this idea. After that, we didn't meet for months, and then one day, he just came up to me and said that the idea we had discussed has been worked upon, which was called Shaandaar. He wanted to discuss the script and I gave my nod immediately. Then he was keen on getting Alia on board, which also worked out. Everything else, like Haider (for me), Queen for Vikas and Highway for Alia, happened after that.
Since the three of you tasted success with all the above mentioned films, do you think the expectations with Shaandaar are sky rocketing at the moment?
Honestly, it doesn't really matter. What really matters is how the film has turned out. What I really like about Shaandaar is the fact that it didn't get made because Shahid, Alia Bhatt and Vikas Bahl, after their respective successful films, wanted to collaborate and do something together. Like I said, it came to us when none of us were hot and happening (smiles). It was our love for the idea that brought us together and we really wanted to work on it. And today, it feels amazing to see how the film is being talked about. I would much rather keep it this way than the other way. But, that's the part and parcel of an actor's life. Like after Haider, people kept asking me "Arey! Now, what will you do?" I can't keep thinking about such things seriously. See, I may keep getting films like Haider, and hopefully, even Shaandaar may do well, but then, there will also be times when I will get films which are not as memorable as them. It's a constant process of trial and error. But, what really matters is how passionate you are about your work. You should enjoy working with the people who are a part of the project. One must work in a process oriented manner, and not result oriented. This has been my biggest learning experience in the last couple of years. Nobody is aware about the end result, so you just relax and enjoy the process. I have been in this business for 12 years, and I have given a large part of my life to this. I started acting when I was 21 and my film released when I was 22. I am 34 today, so it's like doing this work for pretty much my entire adult life. I have given so much of my life to this job, so I better enjoy it.
Jagjinder is an insomniac in the film, and so are you, in the real world. Was it easier to connect with your character in the film because of this trait?
Oh yes! I am an insomniac and I usually sleep very late. But, things have changed and I have become better behaved ever since I got married (smiles). So, the insomnia is almost taken care of and the issue has been resolved. When I was a bachelor, I was more of an insomniac, because there was no pressure on me. Jab khana hain khaa lo, jab sona hain so jao. Those were the days (laughs).
While observing Vikas on the sets, what was that one thing that striked you the most?
Personally, I feel that the world created by him does not exist in real life. It is way too quirky, wacky and cool. But, that's what we all love about him. I honestly felt that Vikas is a director who has a new point of view for even the most basic plots or genres. Actually, if you analyse the story of Queen, it is quite depressing. A girl is ditched before her wedding and she goes all alone on her honeymoon. But the way Vikas presented the journey of the lead protagonist did it all. He had a very funny take on it. So, I realised that he has a different nazariya on everything, which is his biggest advantage.
I am 34 today, so it's like doing this work (acting) for pretty much my entire adult life. I have given so much of my life to this job, so I better enjoy it.
We saw glimpses of your fantastic dance moves in Shaam Shaandaar. But, why is it that we rarely get to see you dance on the big screen these days?
I feel like I have forgotten how to dance. Earlier, I used to dance everyday in my life. Dancing is a lot like cycling or swimming. The more you do it, the better you get at it. But you know, there is something that I decided five years back. People would keep saying, Shahid is a really good dancer and can also act. But, I wanted people to say that Shahid is a really good actor. And I knew that till the time I don't allow my dancing to take a back seat, the actor in me won't get noticed. What used to happen was that in every film, people would want me to dance, regardless of the character's requirement. Then, people would even conceive characters, just so that I could dance. This constant need to project me in a certain light left me feeling frustrated. So, I actually had to push the dancer in me behind and find myself as an actor, because that's my primary job - to be able to act. The fact that I dance is an added advantage, but that's not the centre of what I do. So, in a way, I am very happy. But, I should get back to it soon.
Do you miss days when you would get ample time to rehearse and perform new dance routines for long hours?
I am complaining because it has been five years and now, I really miss dancing. Dance holds a very important place in my heart. Even when I am not doing anything, one of the things that I love doing is to just go online and watch videos of people dancing and some of these people are damn cool. My brother (Ishaan) and I are huge fans of Les Twins. I was the one who introduced him to Les Twins and now, he has become the third twin (laughs). He loves dressing up and dancing like them. But yeah, I do miss dancing and more than anything else, dance for the skill. Not just for effect. Eventually, what we do is display our skill. But, to practice, hone and improve on a routine is actually the process which is more enjoyable. You actually feel that you are gaining something as an artist. It's always fun to learn something new when you are passionate about it. After you become an actor, you hardly get the time to do all this. So, I miss practicing my dance. I know people come up and say, "Oh shut up! You are a good dancer, so stop saying all this." Log yeh sab bolte hain, but I know that I miss practising like a real dancer!
People would keep saying, Shahid is a really good dancer and can also act. But, I wanted people to say that Shahid is a really good actor. And I knew that till the time I don't allow my dancing to take a back seat, the actor in me won't get noticed.
You became one of the youngest celebrity judges on Indian television with Jhalak Dikhhla Jaa Reloaded. What made you take it up?
I felt that I was ready for it. I knew that I have done films for 12 years, but I have never attempted television. Also, it's because I think I am ready to anything now. I don't enjoy being myself, as much as I enjoy doing a different character or trying something new. As far as JDJ Reloaded is concerned, I really enjoyed the show and interacting with contestants. But, my true passion is still attached to playing characters. When I watch Game of Thrones, I am blown away by the performances. So personally, if I am offered a really exciting character, I won't care about the medium, whether it is television, films or even online. Like, I loved my father in Karamchand, and that was aired on television. So as far as you perform well, the medium doesn't matter.
What kind of shows do you personally like watching on television?
I love watching a lot of these international series. Some of my favorites include Game of Thrones, House of Cards. I just started watching Empire, which I thought is pretty cool. I saw Boardwalk Empire sometime back, which was pretty interesting. Also Homeland, Tyrant among others. I usually get all these shows on my hard drive and whenever I get the time, I just watch it.
The dancer in you must have enjoyed the process of being a judge on the show.
Honestly, I hate being a judge. Personally, I would hate it if I was the one who was practising, sweating it out and somebody sitting in a suit with with gelled hair would say, "I don't think that was good." I would be like, Aaja beta pehle yeh karke dikha aur is routine par teen din bita (laughs). The experience was great, but being a judge and commenting on each routine, keeping in mind the hard work that goes behind it, was a tough task.
I hate being a judge. Personally, I would hate it if I was the one who was practising, sweating it out and somebody sitting in a suit with with gelled hair would say, I don't think that was good.
From the time you danced with SDIPA in 1995, to turning judge in Jhalak Dikhhla Jaa in 2015, how have you seen dance evolve?
I think dancing is evolving a lot now. I feel that we will witness a lot of change in the next 3-4 years. Also, physical fitness has generally become very huge and people have become very aware about how they can be functional in their training, as opposed to just being big and pumped up. The teens today are far more evolved and aware as dancers, than what we were back then, and this is all thanks to the power of information. When we were teens, there was no information and we behaved like complete idiots. We didn't know anything! I remember how when I had joined the gym for the first time, there was a huge instructor, whose name was Lathi sir. Paaji was 6 feet 4 inches and his arms were the size of my thigh (laughs). I was a scrawny kid, and he used to make me lift the heaviest set of weights in the gym. He would simply go (in his punjabi accent), "Haaye laagao ek, haaye laagao do." I didn't know the technique and was only the doing the motion, while he would hold the entire weight. So, it's just an example of how that time, we didn't have enough information or awareness about a lot of things, like the proper technique, how to get fit, the right diet among other things. There was no exposure, because there was no internet. I think that kids these days are blessed with a lot of information. And in a way, that is both their advantage as well as disadvantage. The disadvantage being that having too much information without any experience or training can be harmful. So I think not just dancing, but all the forms of fitness will only keep getting better.
Do you think an actor's chemistry with the director translates on screen and affects the way an actor portrays a character? For example, you have delivered two hits with Vishal Bharadwaj.
Hopefully, we will be third time lucky (smiles). With regard to Vishal, I think I am lucky that he casts me, because he writes some really amazing films. I feel that a lot of times, what you see of an actor, is actually the role. Because as a viewer, the role is the actor. If the role has a lot of potential and the actor is able to do justice to it, it becomes a great performance. Vishal gives an actor the opportunity to shine. He is very particular and meticulous, but is very open minded about everything. And that is one of the nicest things about him. You can only be open minded when you are confident and experienced, because you need adapt and one can adapt to things only when you have the ability to improvise. And he has these two qualities which he uses beautifully and it does help me as an actor.
Saif (Ali Khan) has earlier stated that he gave his career best performance with Vishal in Omkara, and he felt that your best act was in Haider. So, the audience must expect fireworks in Rangoon, because the team will take things a notch higher. What do you have to say about that?
That is one strategy. My way to look at it would be, pata nahi yaar kya hone waala hain, hopefully stab theek thaak ho jayega. Toh expectation kam rakho (laughs). But on a serious note, it is going to be a lot of fun working with him (Saif) and I am looking forward to it. Every film has its own identity and set of positives, negatives. Personally, I don't think I can compare any film to Haider, because films are like babies. Like right now, Shaandaar is eight days away from delivery. Udta Punjab is in the fifth month, and Rangoon is to be conceived, while the last baby I had was Haider. A lot of planning goes behind each baby and it takes more than 9 months to make a film, from conception to release, quite literally. So, personally, I can't choose between any film.
I don't think I can compare any film to Haider, because films are like babies. Like right now, Shaandaar is eight days away from delivery. Udta Punjab is in the fifth month, and Rangoon is to be conceived.
Fan Question: You have worked with Supriya Kapur in Mausam and in this film, you are sharing screen space with your dad, Pankaj Kapur and sister, Sanah, for the first time. How was the experience?
It is a big honour for me to work in the same frame as my Dad, because of the actor and performer that he is. I was very nervous around him. As for my sister, I am extremely proud of her. It was very difficult for me to believe that she has grown up, is an actor and that we are actually doing a film together. It was both an emotional and proud moment for me when I saw her giving the first shot. She had strictly warned us not to be around during her first shot and said, "I have enough pressure with Vikas sir directing me, now please, you guys go away." Since Dad is anyway in his own zone while shooting, he simply walked away. But, I stood behind the tent and kept looking secretly. I even took pictures of her giving the first shot, and I still have those pictures on my phone as fond memories.
Did you help Sanah with any tips or advice before the shoot?
Do you really think these kids listen to anyone? (laughs) I have got more lectures from my younger siblings. The oldest sibling is eight years younger than me, and the youngest one is fourteen years younger. And they tell me what I should be doing in my career. They are like, "Hum apna dekh lenge, but this is what you need to do. Sort your shit out first, bro!" (laughs) They are very confident. Like if I was in Sanah's place and Dad was around on my first day of shoot, I would go, "Dad, please see my shot. Give me some advice and tell me if you want me to change anything." But my sister was just like, "Get out! It's between me and my director." (smiles)
I don't like to create a wish-list for myself. There is no fun in doing something that has already been done. I am someone who likes to roam around in spaces that are ambiguous.
What about Ishaan and Ruhaan? Do they look up to you as a quasi-mentor?
They never ask me for any advice. I mean, never have they pointed out anything. In fact, Ruhaan loves giving advice. Like, he has very long hair right now, which he loves tying in a bun. He will have this intense expression on his face and when we are sitting on the dining table eating food, he will go, "I need to explain to you guys, what is right and what is wrong." Both my brothers are scorpions. As for Ishaan, he loves to come and tell me how badly I am dancing these days. He keep saying, "Sit up and take notice. Pick it up." It's all because dancing has reached another level today, and his advice is more about dancing.
Are there any other specific characters or genres that you want to explore soon?
Not really. I don't like to create a wish-list for myself. There is no fun in doing something that has already been done. I am someone who likes to roam around in spaces that are ambiguous. It is very exciting to create something in ambiguity, than to have clarity about what you want to do even before attempting it. I like to have a role, not know how it will work out, work on it and then see if it becomes something.
Do you think the requirements of an actor in Bollywood, be it the physique, looks or performance style, are changing with every decade?
But who sets these requirements and parameters? I personally feel that nobody needs to be anything or follow a particular rule. You can be normal, and if you can hold the audience's attention when the camera rolls, you will find work for sure. When I watch House of Cards, I am glued on and mind blown by the lead protagonist's performance, who is nothing close to good looking. But, he is the most amazing thing I have seen moving in front of the camera and that's why I watch it for an hour. Like, I can watch it for eight hours in a week and still not get tired of it. It's good to look nice, get in shape and all that, but that's not the reason why you become an actor. Everything else is secondary. Focus on the cake, learn how to act. Other things are just like an icing.
What would be your advice to actors, who are struggling to find their niche or are still trying to discover their potential?
I personally feel that I am not someone who can give advice or be an example, because I am still struggling and trying to find myself. Also, I wish that everyone, including my siblings, don't go through the kind of struggle that I went through in the last 12 years. But over the years, what I have learned is that eventually, it is important to find yourself and do what truly makes you happy. That is exactly what I am doing right now and it has worked for me. It might stop working 2-3 years down the line, but at least where I am today, it's good for me now. I love doing what excites me. My search is not based on comparisons or what some other actor is doing. It is more about things that keep me satisfied. I am doing exactly the opposite of what you are generally told, like "dekh isne aisa kiya, toh tum bhi karo." Nobody had done a Haider, and very few would attempt something like that. If I was in an earlier phase of my life, even I wouldn't have thought of doing it. But then, I got maximum lover for Haider, only because I followed my heart and did not follow any logic. Today, I am constantly striving to find the actor within myself, accept challenges, do things differently and hopefully, keep at it. That's the only thing I can say. Beyond that, I am no authority to comment on what works and what doesn't. Because things are constantly changing. There is no right and wrong.
So, what's next for your Shanatics to enjoy on the big screen?
After Shaandaar, there is Udta Punjab, which is in post-production. We will start work on Rangoon very soon and I have also finished a day long shoot for AK vs SK.
By Priya Adivarekar
Love,
The Dancebee
Exclusive contest for Shanatics coming soon (open to Indian and International residents)! Stay tuned for details.
Dil Dhadakne Do
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5 Reasons Why We Are Looking Forward to Dil Dhadakne Do
Ever since the first look of this film was released, Dil Dhadakne Do has been creating waves and how. Right from its cast to the uber cool look of each character, every detail of this film is gaining attention from people of every age group. And it is not just the audience, but even folks from the industry and trade who are looking forward to this interesting multi-starrer. While all of us have a reason to watch this roller coaster ride featuring a dysfunctional family called the Mehras, Diary of a Dancebee gives you 5 reasons why we are looking forward to Zoya Akhtar's family fiesta!
1. The film has an eclectic star cast, which includes some of favorites including Anil Kapoor, Ranveer Singh, Farhan Akhtar, Priyanka Chopra, Anushka Sharma and Shefali Shah. The casting of this film looks perfect to us and we are excited to see Priyanka & Ranveer's chemistry as siblings (since they will later be seen playing husband and wife in Sanjay Leela Bhansali's Bajirao Mastani). It will also be interesting to see how Anil Kapoor plays Papa to these talented actors.
2. Everybody loved Zindagi Naa Milegi Dobara and the fantastic concept of the film. Now, after a four year long break, Zoya Akhtar is back with another directorial venture. So obviously, we are quite kicked about checking out what Dil Dhadakne Do has in store for us. The trailer and promos have left us curious already.
3. Right from Ranveer Singh's suave avatar to Anil Kapoor's hairstyle, the film is creating a lot of buzz for its style quotient and unique character looks. Each actor has been given a character driven look. While we couldn't stop going gaga over Ranveer's sartorial choices, be it the nautical prints or bold hues, we are also loving Priyanka Chopra's chic avatar, complete with canary yellow dresses, wide legged trousers hats and stylish sunnies. Don't miss Anil Kapoor's fancy new hairdo, and also the fresh, summery vibe of Anushka Sharma's outfits.
4. Director Zoya Akhtar is known for picking unique locations for her film. While ZNMD gave us a taste of Spain, Dil Dhadakne Do is filmed beautifully across the Mediterranean Sea, while major portions of the film are shot on a cruise. The locations handpicked by the team are beautiful, and adds a lot to the overall canvas of the film. DDD has been extensively shot in Turkey, Italy France, Tunisia and Spain. The recent promos and stills have already got us hooked on to the stunning landscape.
5. The music of this film is slowly, but steadily topping the charts. The DDD album, composed by the fantastic trio Shankar - Ehsaan - Loy, is not your usual Bollywood fare. It has some fun, peppy numbers that will keep you entertained. The album has got something for everyone. Be it the retro swag of Girls Like To Swing (where Anushka brings back her Rosie avatar from Bombay Velvet) or the foot tapping Gallan Goodiyaan, or the fun vibe of the title track, we just cannot pick one favorite.
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| Click Image to Watch the Song - Girls Like To Swing |
What's your take on Dil Dhadakne Do? Got a favorite song or favorite look from the film? Join the conversation on Twitter - @priyaadivarekar
-- By Team Dancebee (with inputs from Priya Adivarekar) --
Love,
The Dancebee























