As you step out of the cinema hall, your first impression of Mirzya would be that of a beautiful canvas - painted on both sides with emotions of the two lovers, Mohnish (Harshvardhan Kapoor) and Suchitra (Saiyami Kher). The film is visually beautiful and is blessed with an amazing screenplay by Gulzar, which is woven together like poetry. And that is exactly what stays with you for long.

We are introduced to Mohnish and Suchitra as little kids. Best friends and childhood lovers, who are parted, and are yet to find a way to meet each other after many years. In most of his films, Rakeysh Omprakash Mehra’s narrative technique has moved back and forth in time and this time too, he has been experimental. The story is depicted in two parallel worlds – one real and the other, a fantasy.  The fantasy narrative has a blue tone and some breathtaking high speed shots, which will leave you in awe. The real world is interwoven with an eternal folktale of the star crossed lovers, Mirza - Sahibaan, who fought against the world to be together. Shankar-Ehsaan-Loy have also been experimental with their compositions. Music plays an integral part, as it is used extensively with the visual narrative. Every emotion has a contrasting music to it, thus creating an emphasis, as the story progresses. 

Cinephiles and ardent fans of world cinema, Mirzya shall leave you impressed, thanks to its unique storytelling. Mehra has been successful in portraying the fact that when two passionate lovers are connected, even if the universe tries to break them apart, they will still find a way to be together in life and death. To make his dream a success, debutant Harshvardhan Kapoor has a lion’s share. The actor charms us with his subtle acting skills and eccentric personality. Saiyami Kher, who also makes her Bollywood debut, looks angelic with her alluring eyes. Both the actors share an unconventional chemistry on screen, making them look like the perfect ‘disconnected..yet connected’ lovers, that they essay on screen.

Sometimes, the story of a film is simple and is being recounted hundred times. But, what really matters is how it is recounted. For us, Mirzya is an artist's ode to passionate love, and a beautiful one at that!

Verdict:  In between commercial Bollywood films, treat yourself to a beautiful painting of love. You might just like it.

Most of us have grown up watching him rule the Australian cricket team in the 90s and early millennium. We cheered for him, as he took wickets for Kings XI Punjab (and later, Kolkata Knight Riders) and took the world by storm with his famed wicket celebration style. Later, we saw him juggle multiple roles, right from being a commentator to a post-match show host. As part of the band - Six & Out, he is also known for being a pro at acoustic and bass guitar. This year, former Australian international cricket star Brett Lee, is all set to start a new innings - that of an actor. The Indo-Australian film titled UnIndian, helmed by Anupam Sharma, shall mark Binga's debut in the world of cinema. Lee will be seen essaying the role of an English language teacher named Will, who falls in love with an Indian single mum (played by Tannishtha Chatterjee). We caught up with the dashing sports star on super hectic day and the excited cricketer turned actor, who was in the city for a quick round of promotional activities, spoke to us about UnIndian, turning actor, his view on the changing face of cricket and why he loves Virat Kohli. Excerpts from a fun conversation:

How was it working with the cast and crew of UnIndian, which marks your debut as an actor?

It was an absolute pleasure working with the cast and crew of the film. The most amazing part is the fact that they are so gifted and talented. They are very good at everything that they do. If you use the cricket analogy, we were all on the same pitch and worked together as team mates. Our common goal was to ensure that we make a great film. The film is purely shot in Australia and a lot of people in the country have appreciated the film. The reports and responses have been great so far. I really hope the Indian audience appreciates the film and our efforts.

You made a short trip to India for promotions. What was that experience like?

I was quite excited and thrilled about launching the film in India. It releases this week and I am looking forward to the response that UnIndian gets in this country. It’s been a lot of fun with several engagements being organised, right from interacting with children to adults and of course, sections of the media. It’s been encouraging, especially the response that we’ve been getting on social media.

How did you prepare yourself for this film, considering this was your debut?

I did a couple of acting courses, before the film started off. My experience in front of the camera helped (as a host for post match shows) and I tried to use it in the best way. I have always believed that my experience of 28-years, both on and off the field, made the transition more easier, since there were cameras around, all the time.

Did you face any stumbling block while working on this film?

Not really. But, I got to learn that the biggest challenge about acting is patience. It’s a bit like playing cards on the cruise. You really gotta be patient and use your time to understand that things do take time. So, that’s probably the hardest thing and I am glad I learned it on the job.

I liked the message that this film carries. It showcases the fact that love has no boundaries. You can’t help who you fall in love with

What was it about the script of this film that attracted you the most?

I liked the message that this film carries. It showcases the fact that love has no boundaries. You can’t help who you fall in love with, no matter what hair, skin or eye colour. I reckon that myself and my character Will is very similar to how I am in real life. That’s probably one reason why essaying Will’s character got a lot more easier. I strongly believe in the same values and share the same views. I think it’s a beautiful message to spread, at a time when there is a lot of unrest and trouble going on in the world right now. I think it’s nice to watch a film which takes you away from everything happening in the world outside. For 106 minutes, it helps you disconnect and enjoy something to the core.

You made your test debut against India. What do you have to say about your experience of playing against the country?

I have always enjoyed playing against them. It was unarguably one of my favourite countries to play against. We were always up against the best, whether it is Sachin Tendulkar, VVS Laxman, Dravid or Ganguly (to mention a few). It was hard to play against India, but it was this very challenge that I loved the most.

What's your take on the changing face of cricket today, especially with the introduction of shorter formats?

I think the game is changing for better. Of course, all of us want to make sure that test cricket is still looked after. I like the purity of test cricket. You need to be in love with game to follow five days of cricket. It’s called test cricket because it is like a test of character, commitment, courage and who you wanna be in that moment. But for me, T20 cricket has changed the game completely and that too, for the better. So with all the new premiere leagues and cricket matches, the future definitely seems good, especially for the youngsters.

Who's your favourite cricketer from the current lot?

I absolutely love Virat Kohli. What is it not to love about him? He is such a fantastic, gifted athlete. The kind of passion and controlled aggression that he possesses is unbelievable. It’s a lot like the way Australian cricket team plays, where they’ve got the controller aggression in place. I think Kohli has definitely got that and it is always a pleasure watching him play.

I will definitely look forward to working on more films. I am game to take up a Bollywood project, if at all it comes my way. 

Several young cricketers from across the globe look up to you. What would be your special advice for them, especially those who focus on fast bowling?

If you are a fast bowler, enjoy being one! Embrace it and ensure that you work hard. I think it’s extremely important to ensure that you get the right training. Too many bowlers are lifting heavy weights. You need to check out trainers who can help out with high intensity cardio, low weights and the right training routine. I have always worked out at the F45 gyms. They are an Australian franchise and have come down to India as well. I think they have the perfect training for fast bowlers.

We can't let you go without asking this - will we see you in an out and out Bollywood masala entertainer anytime soon?

Bollywood is extremely colourful. I do understand that there is a lot of dancing involved in Bollywood. With a lot going on, it just makes these films extremely exciting to watch. Right now, I am looking forward to seeing the response to UnIndian, especially their reaction to me as an actor and my character, Will. Post that, I will definitely look forward to working on more films. I am game to take up a Bollywood project, if at all it comes my way. And yes, I’ll be ready for the challenge of speaking in Hindi as well as shaking a leg on Bollywood numbers (laughs).

Love,
The Dancebee

Why were you keen on exploring the era of Mohenjodaro through your film?

How do you aim to form a connect between the youth of today, and the Mohenjodaro era?

What was your research for creating the sets like?



Almost all your films have explored Indian history or have had the essence of India as it's core. Does that come from the fact that you take a lot of pride in being an Indian, and take a lot of inspiration from it's rich past?
Of course, I do take a lot pride in our rich history. There are so many eras, dynasties and parts of the country. They all have a tale to tell. So much, that I don’t know how they can all be told on the big screen. There are so many monuments; palaces and forts that are left behind, which you can look at with splendour. Most of us are only familiar with the Mughal era or the British Raj, because of the history we are taught or what the monuments that we see. But, if you travel to the interiors of Madhya Pradesh, Maharashtra, Orissa or many other states, you will realise that there is so much more. The Gajapathies, Krishnadevraya; empires that were so massive and existed at a time. But then, they are just confined to a few pages in the history books. We haven’t got a cinematic rendition of it. So, if I get enamoured by a particular period and tell that story well, I feel good. Ultimately, no matter how good your sets are and how well you create the costumes, it all boils down to a good story to make a film work. The former are all embellishments, but what matters is the story and how well it is weaved along with the characters.

Buddha was something that I wanted explore right after Khelein Hum Jee Jaan Sey. We had started work on it, but the project had to be aborted due to some reasons. That’s when I started Everest and then moved on scripting Mohenjodaro. I haven't thought about Buddha again. The inspiration to get back to the idea needs come naturally to me.

After a super packed weekend, we finally (better late than never) caught up with Nishikant Kamat’s much awaited directorial venture - Madaari, during the week. While we expected the occupancy to be around below-average, we were quite happy to see afternoon shows running with close to 40% seats filled. After close to two weeks at the cinemas, the film has performed very well, with appreciation coming in from both the audience and the film fraternity.

Madaari tells the tale of a man in anguish, who seeks justice after losing almost everything in a disaster. It’s the fight of a common man against the corrupt system, that continues to plague the society at large. Although at first thought, one can’t help but mark the uncanny resemblances between A Wednesday and the sequences that unfold in Madaari, the latter shines out in it’s own way. The film attempts to give a much needed jolt to the citizens, forcing them to wake up and save the country from drowning in corruption, before it is too late. But at the core, Madaari is also a poignant father - son story, with some wonderful emotional moments that are bound to leave you teary eyed.

In case you are one of those who still haven’t seen the film, we give you reasons to do so this week:

Ensemble cast: Kamat is a pro at getting together the perfect cast in almost all his films. In Madaari, we are treated to some fine performances by Jimmy Shergill and Tushar Dalvi, among others. The minister’s son too performs very well.

The Plot: Most of us have taken to Twitter or discussed the way we have suffered setbacks due to the negligence of those in power. Madaari perfectly showcases the plight of the ‘aam aadmi’ and his constant struggle to avoid getting exploited by the corrupt. There are instances where you might go, “Hey! This has happened to me,” and then, go on to realise that it is no one else but ourselves to be blamed for the mess that we see around us. The story of this film is raw, real and relatable.

Cinematography: If we had to pick any one major technical highlight of the film, it has to be Avinash Arun’s cinematography. He makes even the most simple background look beautiful, while ensuring that we don’t lose focus from the characters on screen.

Irrfan Khan’s performance: Reserved the best for the last. Has Irrfan ever disappointed us? The actor, who continues to make India proud as a global artist, delivers a power packed performance. An act so flawless and natural, that it almost looks he isn’t acting at all! He puts his heart and soul to essay Nirmal Kumar and showcases a variety of different shades through his character, all in the same film. Safe to say that he is the driving force of Madaari, and the one who makes your trip to cinema hall to watch this film totally worth it!

Verdict: Madaari is beautifully inspiring, and deserves a watch, especially for the brilliance that is Irrfan Khan!

Have you seen the film? Do let us know your thoughts in the comment box below!

Love,

The Dancebee

From the dark world of Haider Meer to the quirky duniya of Jagjinder Joginder, how did you manage the transition as an actor?

My job as an actor is to adapt, shift to different worlds and sensibilities. If I achieve that, it will help me become versatile. So, I try to do that in every film, where I come from one world and step into a different one immediately. Sometimes it translates, but there are sometimes when it doesn't. In Haider, I was really fortunate that everything was translated well. I think in Shaandaar, the fact that there is a major contrast between the look, character, genre and almost every important aspect helped us create a world which is very different from the one in Haider. And as an actor, I have always enjoyed such challenging transitions. Personally, I don't like transitions which demand me to go from one similar genre to another. It just gets too boring and I feel that I am getting too repetitive. Shaandaar was a welcome change, which I am very happy about. Also, I was moving out from the edgy world of Vishal Bharadwaj, to a completely different wacky one created by Vikas (Bahl), and both of them are fantastic film-makers. It's exciting to come out from a dark film and get into a more fun space, which is closer to what I have done in the past. Shaandaar is a quirky love story, and I guess the last film of a similar genre that I did was Jab We Met (2007). It's rare to do such films, because there is really not much left to do or say in this genre, unless the film-maker has a new point of view. 

So, what was it about Shaandaar that really got you hooked on and how did you come on board?

I don't think I have still been signed by Vikas (laughs). But yes, I did meet Vikas when Queen was being shot. As for working with him, we all know that he is a national award winning director and his work, be it Chillar Party or Queen, has always been appreciated. So, no one can question his credentials. Also, I am not the kind of a person who will go the typical way while signing a film. I go by my vibe with an individual and the gut feeling about a subject. After watching Queen, which I saw 6 months before it released and that too, without the background score or other post-production edits. So, it was pretty much the first edit of the film. After watching the film, he told me that there is a new subject in his mind and later, he just said that there is a random one line which he would like to work on and that was the idea for this film. And, I genuinely liked it. But, Vikas believed that there shouldn't be any distraction at this point and said, "If I write it now and you say no after 3 months, asking me to write something new, then I will end up wasting six months of my life." But, I was very sure about this idea. After that, we didn't meet for months, and then one day, he just came up to me and said that the idea we had discussed has been worked upon, which was called Shaandaar. He wanted to discuss the script and I gave my nod immediately. Then he was keen on getting Alia on board, which also worked out. Everything else, like Haider (for me), Queen for Vikas and Highway for Alia, happened after that.

Since the three of you tasted success with all the above mentioned films, do you think the expectations with Shaandaar are sky rocketing at the moment?

Honestly, it doesn't really matter. What really matters is how the film has turned out. What I really like about Shaandaar is the fact that it didn't get made because Shahid, Alia Bhatt and Vikas Bahl, after their respective successful films, wanted to collaborate and do something together. Like I said, it came to us when none of us were hot and happening (smiles). It was our love for the idea that brought us together and we really wanted to work on it. And today, it feels amazing to see how the film is being talked about. I would much rather keep it this way than the other way. But, that's the part and parcel of an actor's life. Like after Haider, people kept asking me "Arey! Now, what will you do?" I can't keep thinking about such things seriously. See, I may keep getting films like Haider, and hopefully, even Shaandaar may do well, but then, there will also be times when I will get films which are not as memorable as them. It's a constant process of trial and error. But, what really matters is how passionate you are about your work. You should enjoy working with the people who are a part of the project. One must work in a process oriented manner, and not result oriented. This has been my biggest learning experience in the last couple of years. Nobody is aware about the end result, so you just relax and enjoy the process. I have been in this business for 12 years, and I have given a large part of my life to this. I started acting when I was 21 and my film released when I was 22. I am 34 today, so it's like doing this work for pretty much my entire adult life. I have given so much of my life to this job, so I better enjoy it.

Jagjinder is an insomniac in the film, and so are you, in the real world. Was it easier to connect with your character in the film because of this trait?

Oh yes! I am an insomniac and I usually sleep very late. But, things have changed and I have become better behaved ever since I got married (smiles). So, the insomnia is almost taken care of and the issue has been resolved. When I was a bachelor, I was more of an insomniac, because there was no pressure on me. Jab khana hain khaa lo, jab sona hain so jao. Those were the days (laughs).

While observing Vikas on the sets, what was that one thing that striked you the most?

Personally, I feel that the world created by him does not exist in real life. It is way too quirky, wacky and cool. But, that's what we all love about him. I honestly felt that Vikas is a director who has a new point of view for even the most basic plots or genres. Actually, if you analyse the story of Queen, it is quite depressing. A girl is ditched before her wedding and she goes all alone on her honeymoon. But the way Vikas presented the journey of the lead protagonist did it all. He had a very funny take on it. So, I realised that he has a different nazariya on everything, which is his biggest advantage. 

We saw glimpses of your fantastic dance moves in Shaam Shaandaar. But, why is it that we rarely get to see you dance on the big screen these days?

I feel like I have forgotten how to dance. Earlier, I used to dance everyday in my life. Dancing is a lot like cycling or swimming. The more you do it, the better you get at it. But you know, there is something that I decided five years back. People would keep saying, Shahid is a really good dancer and can also act. But, I wanted people to say that Shahid is a really good actor. And I knew that till the time I don't allow my dancing to take a back seat, the actor in me won't get noticed. What used to happen was that in every film, people would want me to dance, regardless of the character's requirement. Then, people would even conceive characters, just so that I could dance. This constant need to project me in a certain light left me feeling frustrated. So, I actually had to push the dancer in me behind and find myself as an actor,  because that's my primary job - to be able to act. The fact that I dance is an added advantage, but that's not the centre of what I do. So, in a way, I am very happy. But, I should get back to it soon.

Do you miss days when you would get ample time to rehearse and perform new dance routines for long hours?

 I am complaining because it has been five years and now, I really miss dancing. Dance holds a very important place in my heart. Even when I am not doing anything, one of the things that I love doing is to just go online and watch videos of people dancing and some of these people are damn cool. My brother (Ishaan) and I are huge fans of Les Twins. I was the one who introduced him to Les Twins and now, he has become the third twin (laughs). He loves dressing up and dancing like them. But yeah, I do miss dancing and more than anything else, dance for the skill. Not just for effect. Eventually, what we do is display our skill. But, to practice, hone and improve on a routine is actually the process which is more enjoyable. You actually feel that you are gaining something as an artist. It's always fun to learn something new when you are passionate about it. After you become an actor, you hardly get the time to do all this. So, I miss practicing my dance. I know people come up and say, "Oh shut up! You are a good dancer, so stop saying all this." Log yeh sab bolte hain, but I know that I miss practising like a real dancer!

You became one of the youngest celebrity judges on Indian television with Jhalak Dikhhla Jaa Reloaded. What made you take it up?

I felt that I was ready for it. I knew that I have done films for 12 years, but I have never attempted television. Also, it's because I think I am ready to anything now. I don't enjoy being myself, as much as I enjoy doing a different character or trying something new. As far as JDJ Reloaded is concerned, I really enjoyed the show and interacting with contestants. But, my true passion is still attached to playing characters. When I watch Game of Thrones, I am blown away by the performances. So personally, if I am offered a really exciting character, I won't care about the medium, whether it is television, films or even online. Like, I loved my father in Karamchand, and that was aired on television. So as far as you perform well, the medium doesn't matter.

What kind of shows do you personally like watching on television?

I love watching a lot of these international series. Some of my favorites include Game of Thrones, House of Cards. I just started watching Empire, which I thought is pretty cool. I saw Boardwalk Empire sometime back, which was pretty interesting. Also Homeland, Tyrant among others. I usually get all these shows on my hard drive and whenever I get the time, I just watch it.

The dancer in you must have enjoyed the process of being a judge on the show.

Honestly, I hate being a judge. Personally, I would hate it if I was the one who was practising, sweating it out and somebody sitting in a suit with with gelled hair would say, "I don't think that was good." I would be like, Aaja beta pehle yeh karke dikha aur is routine par teen din bita (laughs). The experience was great, but being a judge and commenting on each routine, keeping in mind the hard work that goes behind it, was a tough task.

From the time you danced with SDIPA in 1995, to turning judge in Jhalak Dikhhla Jaa in 2015, how have you seen dance evolve?

I think dancing is evolving a lot now. I feel that we will witness a lot of change in the next 3-4 years. Also, physical fitness has generally become very huge and people have become very aware about how they can be functional in their training, as opposed to just being big and pumped up. The teens today are far more evolved and aware as dancers, than what we were back then, and this is all thanks to the power of information. When we were teens, there was no information and we behaved like complete idiots. We didn't know anything! I remember how when I had joined the gym for the first time, there was a huge instructor, whose name was Lathi sir. Paaji was 6 feet 4 inches and his arms were the size of my thigh (laughs). I was a scrawny kid, and he used to make me lift the heaviest set of weights in the gym. He would simply go (in his punjabi accent), "Haaye laagao ek, haaye laagao do." I didn't know the technique and was only the doing the motion, while he would hold the entire weight. So, it's just an example of how that time, we didn't have enough information or awareness about a lot of things, like the proper technique, how to get fit, the right diet among other things. There was no exposure, because there was no internet. I think that kids these days are blessed with a lot of information. And in a way, that is both their advantage as well as disadvantage. The disadvantage being that having too much information without any experience or training can be harmful. So I think not just dancing, but all the forms of fitness will only keep getting better.

Do you think an actor's chemistry with the director translates on screen and affects the way an actor portrays a character? For example, you have delivered two hits with Vishal Bharadwaj.

Hopefully, we will be third time lucky (smiles). With regard to Vishal, I think I am lucky that he casts me, because he writes some really amazing films. I feel that a lot of times, what you see of an actor, is actually the role. Because as a viewer, the role is the actor. If the role has a lot of potential and the actor is able to do justice to it, it becomes a great performance. Vishal gives an actor the opportunity to shine. He is very particular and meticulous, but is very open minded about everything. And that is one of the nicest things about him. You can only be open minded when you are confident and experienced, because you need adapt and one can adapt to things only when you have the ability to improvise. And he has these two qualities which he uses beautifully and it does help me as an actor.   

Saif (Ali Khan) has earlier stated that he gave his career best performance with Vishal in Omkara, and he felt that your best act was in Haider. So, the audience must expect fireworks in Rangoon, because the team will take things a notch higher. What do you have to say about that?

That is one strategy. My way to look at it would be, pata nahi yaar kya hone waala hain, hopefully stab theek thaak ho jayega. Toh expectation kam rakho (laughs). But on a serious note, it is going to be a lot of fun working with him (Saif) and I am looking forward to it. Every film has its own identity and set of positives, negatives. Personally, I don't think I can compare any film to Haider, because films are like babies. Like right now, Shaandaar is eight days away from delivery. Udta Punjab is in the fifth month, and Rangoon is to be conceived, while the last baby I had was Haider. A lot of planning goes behind each baby and it takes more than 9 months to make a film, from conception to release, quite literally. So, personally, I can't choose between any film.

Fan Question: You have worked with Supriya Kapur in Mausam and in this film, you are sharing screen space with your dad, Pankaj Kapur and sister, Sanah, for the first time. How was the experience?

It is a big honour for me to work in the same frame as my Dad, because of the actor and performer that he is. I was very nervous around him. As for my sister, I am extremely proud of her. It was very difficult for me to believe that she has grown up, is an actor and that we are actually doing a film together. It was both an emotional and proud moment for me when I saw her giving the first shot. She had strictly warned us not to be around during her first shot and said, "I have enough pressure with Vikas sir directing me, now please, you guys go away." Since Dad is anyway in his own zone while shooting, he simply walked away. But, I stood behind the tent and kept looking secretly. I even took pictures of her giving the first shot, and I still have those pictures on my phone as fond memories. 

Did you help Sanah with any tips or advice before the shoot?

Do you really think these kids listen to anyone? (laughs) I have got more lectures from my younger siblings. The oldest sibling is eight years younger than me, and the youngest one is fourteen years younger. And they tell me what I should be doing in my career. They are like, "Hum apna dekh lenge, but this is what you need to do. Sort your shit out first, bro!" (laughs) They are very confident. Like if I was in Sanah's place and Dad was around on my first day of shoot, I would go, "Dad, please see my shot. Give me some advice and tell me if you want me to change anything." But my sister was just like, "Get out! It's between me and my director." (smiles) 

What about Ishaan and Ruhaan? Do they look up to you as a quasi-mentor?

They never ask me for any advice. I mean, never have they pointed out anything. In fact, Ruhaan loves giving advice. Like,  he has very long hair right now, which he loves tying in a bun. He will have this intense expression on his face and when we are sitting on the dining table eating food, he will go, "I need to explain to you guys, what is right and what is wrong." Both my brothers are scorpions. As for Ishaan, he loves to come and tell me how badly I am dancing these days. He keep saying, "Sit up and take notice. Pick it up." It's all because dancing has reached another level today, and his advice is more about dancing.

Are there any other specific characters or genres that you want to explore soon?

Not really. I don't like to create a wish-list for myself. There is no fun in doing something that has already been done. I am someone who likes to roam around in spaces that are ambiguous. It is very exciting to create something in ambiguity, than to have clarity about what you want to do even before attempting it. I like to have a role, not know how it will work out, work on it and then see if it becomes something.

Do you think the requirements of an actor in Bollywood, be it the physique, looks or performance style, are changing with every decade?

But who sets these requirements and parameters? I personally feel that nobody needs to be anything or follow a particular rule. You can be normal, and if you can hold the audience's attention when the camera rolls, you will find work for sure. When I watch House of Cards, I am glued on and mind blown by the lead protagonist's performance, who is nothing close to good looking. But, he is the most amazing thing I have seen moving in front of the camera and that's why I watch it for an hour. Like, I can watch it for eight hours in a week and still not get tired of it. It's good to look nice, get in shape and all that, but that's not the reason why you become an actor. Everything else is secondary. Focus on the cake, learn how to act. Other things are just like an icing. 

What would be your advice to actors, who are struggling to find their niche or are still trying to discover their potential?

I personally feel that I am not someone who can give advice or be an example, because I am still struggling and trying to find myself. Also, I wish that everyone, including my siblings, don't go through the kind of struggle that I went through in the last 12 years. But over the years, what I have learned is that eventually, it is important to find yourself and do what truly makes you happy. That is exactly what I am doing right now and it has worked for me. It might stop working 2-3 years down the line, but at least where I am today, it's good for me now. I love doing what excites me. My search is not based on comparisons or what some other actor is doing. It is more about things that keep me satisfied. I am doing exactly the opposite of what you are generally told, like "dekh isne aisa kiya, toh tum bhi karo." Nobody had done a Haider, and very few would attempt something like that. If I was in an earlier phase of my life, even I wouldn't have thought of doing it. But then, I got maximum lover for Haider, only because I followed my heart and did not follow any logic. Today, I am constantly striving to find the actor within myself, accept challenges, do things differently and hopefully, keep at it. That's the only thing I can say. Beyond that, I am no authority to comment on what works and what doesn't. Because things are constantly changing. There is no right and wrong.

So, what's next for your Shanatics to enjoy on the big screen?

After Shaandaar, there is Udta Punjab, which is in post-production. We will start work on Rangoon very soon and I have also finished a day long shoot for AK vs SK.

By Priya Adivarekar

Love,

The Dancebee

Exclusive contest for Shanatics coming soon (open to Indian and International residents)! Stay tuned for details.

Just one more fortnight and we will be down to the last quarter of the year. One of the most crucial ones for Bollywood, honestly, because this is where most of the big ticket projects will hit the marquee, thanks to the ongoing festive season. Most films have already reserved a festival date for themselves, way in advance, in order to ensure that not just their target audience, but every cine-goer enjoys their dose of entertainment during the long weekend. While there are several films, like Jazbaa, which marks the return of Aishwarya Rai Bachchan, Talvar (based on the Arushi Murder Case), and even the well promoted Akshay Kumar starrer Singh Is Bliing, which looks promising; we have shortlisted 5 films which are not just making the right noises, but have also left the audience curious and excited for the film's release. Let's take a look at the top 5 films that we can't wait to watch this year (in order of release date)!

Shaandaar

Right from the motion poster, to the trailer and finally the first song launch, this film is killing it with its fun and quirky appeal. Most Bollywood fanatics have been quite curious to see just how well will the Shahid - Alia jodi fare, considering it is the first time they are doing a film together. And well, not only did the trailer shun the naysayers with some sizzling (and cute) chemistry between the two, the endearing chemistry shared by Shahid and his off screen papa, Pankaj Kapoor, also left a delightful smile on our face. With Vikas Bahl helming the project after his award winning and much loved, Queen, and the Karan Johar + Phantom + Fox Star Studios producing it, Shaandaar is gonna be one helluva joyride. Save the date! It's coming this Dussehra (October 22).

Prem Ratan Dhan Payo

A Diwali release + Salman Khan = can't you hear firecrackers bursting out loud already? Prem Ratan Dhan Payo marks director Sooraj Barjatya's return as the captain of the ship after 9 years (his last directorial venture being Vivah, starring Shahid Kapoor and Amrita Rao). While we all saw actors like Hrithik Roshan and Shahid Kapoor taking over the lead as Prem for sometime, in 2015, the original Prem - Salman Khan is all set to get into the groove once again. The actor will be seen opposite Sonam Kapoor and the film is said to be yet another Barjatya style family drama, filled with emotions, grand set ups and melodious songs (we hear this album will have as many as 10 tracks).  With Sunny Deol's Ghayal Returns pushed to a later date, Prem Ratan Dhan Payo will enjoy a solo release during the Diwali week. Dear BO, hope you are ready to handle the madness on November 12!

Tamasha

Imtiaz Ali, Ranbir - Deepika, and exotic locations. Now, do you still need a reason to watch the film? Tamasha has got everything going for it, right from the cast, crew to stunning locales that one can see in all the official stills. The film marks hit pair Ranbir - Deepika's return and it also happens to be the second time these good looking actors will be working with Imtiaz Ali (while Ranbir has worked with him in Rockstar, Deepika did Love Aaj Kal). While the buzz around this film in both social and print media is very strong, the makers are currently using social network platforms like Facebook and Twitter to put up fun sneak peek videos. One of the recent ones even had Ranbir messing up all the official social media handles of Tamasha. Exclusive stills from the film are also being shared from time to time, which is generating a strong buzz among film lovers. We are quite sure this terrific combo is all set to break records once again!

Bajirao Mastani

Sanjay Leela Bhansali's epic saga, Bajirao Mastani, is one of the most anticipated films of 2015. We all know this was SLB's dream project, that kept waiting in the wings due to cast issues for several years. Now that the film is on the verge of completion, all the updates and teasers are leaving us excited and thrilled. For someone who has grown up reading a lot about the Maratha and Peshwa history, it will be a delight to watch SLB's version of the classic Bajirao - Mastani love story, on the big screen. Keeping in mind the kind of larger than life films that he is known for, we are quite sure that SLB's dream project will win our hearts. With a stellar star cast that includes Ranveer Singh, Deepika Padukone and Priyanka Chopra, who look their part and have got into the skin of their characters with ease, this is one film to watch out for on December 18! We can't wait for the theatrical trailer and music album now.

Dilwale

What better than watching two of our favourite romantic leads - Shahrukh Khan and Kajol - making a return to the silver screen after My Name Is Khan. Ever since the first look still of Dilwale was officially released, all hell broke loose. People on social media went crazy, tweeting and posting updates, while expressing their thoughts about the return of SRK - Kajol. Director Rohit Shetty is one lucky fella. He got SRK to do the 'Lungi Dance' in Chennai Express, and now he is making the actor run around in snow (this time with Kajol), while shooting a song in Iceland. The film is almost complete and it also stars teenage heartthrob Varun Dhawan and actress Kriti Sanon. The ensemble cast will also include Johnny Lever and Sanjay Mishra. But while Dilwale promises to set the cash registers ringing, it will also ensure a major clash with yet another big film. Dilwale will release during the Christmas week - December 18, which also happens to be the release date of Bajirao Mastani. It won't be wrong to call this the clash of the titans. But while their ultimate fate will only be known on the 18th, one thing is for sure - On December 18th, love will be in the air!

Which film are you most excited about? Is it on this list?

Join the conversation on Instagram | Twitter at @priyaadivarekar

PS: Today is the last day to vote! Help Diary of a Dancebee score big in

the voting phase at #WIN15 awards. To vote - Click Here.

Love,

The Dancebee